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ISLE OF WOMAN

Start of a new series—maybe (Anthony isn't sure)—entitled Geodyssey, attempting to frame, in ecological terms, no less than the entire history of the human species: Now that's ambition. In a series of stories—often no more than vignettes—braced by paragraphs of quasi-facts, Anthony writes about two families whose members are continually reborn: firetender Scorch, his mate Ember, and their daughter, Crystal; Bunny, her mate Blaze, and their son, Stone. The stories begin in the days of Lucy the Australopithecine, and swiftly move through Handy Man and Erect Man to the discovery of Australia, Neanderthals, cave art, the discovery of America, the beginning of agriculture in the Fertile Crescent, an early city in Anatolia, war in Mesopotamia, contending Hittite and Egyptian empires, Etruscans and Romans, the struggle for control of the Silk Road in the first century, the T'ang dynasty in China, 13th-century Lithuania, 17th-century Kuba (Congo), India and Britain in the 19th century, and, finally, starvation and cannibalism in a 21st-century America beset by climatic change. Throughout history, Ember and Blaze desire each other, but something always intervenes—until the last episode when they come together and recall their multiple pasts. The prolific Anthony (most recent solo outing: Demons Don't Dream, 1992) means well but all too often is astoundingly wrongheaded. Again, many of the stories here are a long way short of compelling—with the author's juvenile tendencies well to the fore. Amiable twaddle, then, intended for a wider audience than usual.

Pub Date: Sept. 20, 1993

ISBN: 0812533666

Page Count: 448

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE NIGHT CIRCUS

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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