Occasionally touching but ultimately insubstantial.
Spurred by her father’s illness, a Chinese Canadian woman explores her family’s past.
When the unnamed narrator is 3, her family immigrates to Vancouver—she, her mother, and her grandparents. Everyone, that is, except her father, who helps them settle in but then returns to Hong Kong, worried that he won’t be able to find a job to support them in a new country. They become an “astronaut family”: “It’s a term invented by the Hong Kong mass media. A family with an astronaut father—flying here, flying there.” In very short, matter-of-fact fragments, the narrator accumulates memories of growing up, adjusting to life in Canada, and handling an often difficult relationship with a father she sees only twice a year. These memories mingle with those of her mother and grandmother, which the narrator begins collecting after her father falls ill from liver disease and the family assembles in Hong Kong. Her mother recalls high school basketball triumphs and, later, the process of caring for the narrator’s younger sister, born with a blood tumor; her grandmother relates, with impish humor, a childhood spent reading classical Chinese novels by night amid war (“Sometimes we couldn’t turn the lights on after sunset or we would get bombed”) and the one time she happened to write an opera. At one point in this nonlinear book, the narrator studies abroad in China during college and learns a spare technique of Chinese ink painting called xieyi. “They left large areas of the paper blank because they felt empty space was as important as form, that absence was as important as presence,” she tells us. “So what did they seek to capture instead? The artist’s spirit.” Debut author Fung seems to be describing her own narrative technique as much as this historical style, and its spareness does occasionally lend the narrative a fittingly agile sense of itinerancy. Largely, though, the details come across as somewhat mundane: They never really cohere into something bigger than their sum, and the characters remain unconvincing collections of attributes. As a result, the ending in particular feels merely sentimental rather than moving.
Occasionally touching but ultimately insubstantial.Pub Date: June 1, 2021
ISBN: 978-0-593-23096-1
Page Count: 272
Publisher: One World/Random House
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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