Originally published in Spain in 1989, a story that begins as an instructive look at apprenticeship in Renaissance Florence (no particular century or historical characters) and ends as a melodrama about a mysterious prisoner in a master painter's attic. Narrator Arduino is a prosperous tailor's son who prevails on his reluctant father to apprentice him to Cosimo di Forlç, an accomplished but mean-spirited painter who starves his young helpers and secretly keeps one in chains because the boy's ability outshines his own. Arduino discovers and befriends the talented Donato; and, when Cosimo falls ill midway through a major commission, he reminds him of the prisoner, who emerges to save the day and succeed his dying master. This predictable, old- fashioned tale, hinging on Donato's unlikely incarceration and told without subtlety, is a far cry from Johnny Tremain. Still, it's a slim, fast-paced read—and a rare translation of Spanish fiction. (Fiction. 9-12)
Pub Date: Aug. 18, 1993
ISBN: 0-374-30389-4
Page Count: 112
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1993
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
After his grandmother gives him an old riding lawnmower for his summer birthday, this comedy’s 12-year-old narrator putt-putts into a series of increasingly complex and economically advantageous adventures. As each lawn job begets another, one client—persuasive day-trader Arnold Howell—barters market investing and dubious local business connections. Our naïve entrepreneur thus unwittingly acquires stock in an Internet start-up and a coffin company; a capable landscaping staff of 15 and the sponsorship of a hulking boxer named Joseph Powdermilk. There’s a semi-climactic scuffle with some bad guys bent on appropriating the lawn business, but Joey Pow easily dispatches them. If there’s tension here, it derives from the unremitting good news: While the reader may worry that Arnold’s a rip-off artist, Joey Pow will blow his fight, or (at the very least) the parents will go ballistic once clued in—all ends refreshingly well. The most complicated parts of this breezy affair are the chapter titles, which seem lifted from an officious, tenure-track academician’s economics text. Capital! (Fiction. 9-12)
Pub Date: June 12, 2007
ISBN: 978-0-385-74686-1
Page Count: 96
Publisher: Wendy Lamb/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2007
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