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THE BITCH

A somber and sensitive dog-and-owner tale scrubbed clean of the genre’s usual sweetness.

The lives of a disobedient dog and its melancholy owner grow entangled in this allegorical novella.

The first novel published in English by the Colombian writer Quintana centers on Damaris, who’s living in a coastal town with an oft-absent fisherman husband, minding the home of the Reyeses, friends of her family. When she’s offered a puppy from a litter, the dog is at once a balm for her loneliness and a reminder of it: Unable to have children, she names the dog Chirli, after “the daughter I never had.” Chirli is an emotional trigger, and Damaris is soon recalling her failed efforts through healers to get pregnant and a moment in her childhood as she watched the Reyeses’ son get washed away by a large wave hitting a rocky shore. Every incident in this brief novel seems calibrated to show life’s tenuousness and violence: Humans and dogs die via gunshot, hatchet, and poison, and Damaris’ relationship with the dog frays as Chirli disappears into the nearby jungle, returning only to disappear again. Though the novel is short, Quintana patiently explores Damaris’ darkening mood, as Chirli’s untamed nature echoes its owner’s despair over keeping life under control: “Alone, totally alone, in a body that bore her no children and was good only for breaking things.”  As Damaris’ and Chirli’s lives take increasingly tragic turns, their restless natures feel increasingly broadly symbolic of the difficulty of domesticating ourselves and others, even when it serves our best interests. In an author’s note, Quintana said she was inspired by seeing a female dog’s corpse on her first day on Colombia’s Pacific coast. “I thought, there is a huge story here,” she writes. “Huge” overstates things, but it’s an intense story despite its brevity.

A somber and sensitive dog-and-owner tale scrubbed clean of the genre’s usual sweetness.

Pub Date: Aug. 4, 2020

ISBN: 978-1-64286-059-7

Page Count: 128

Publisher: World Editions

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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TOMORROW, AND TOMORROW, AND TOMORROW

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

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The adventures of a trio of genius kids united by their love of gaming and each other.

When Sam Masur recognizes Sadie Green in a crowded Boston subway station, midway through their college careers at Harvard and MIT, he shouts, “SADIE MIRANDA GREEN. YOU HAVE DIED OF DYSENTERY!” This is a reference to the hundreds of hours—609 to be exact—the two spent playing “Oregon Trail” and other games when they met in the children’s ward of a hospital where Sam was slowly and incompletely recovering from a traumatic injury and where Sadie was secretly racking up community service hours by spending time with him, a fact which caused the rift that has separated them until now. They determine that they both still game, and before long they’re spending the summer writing a soon-to-be-famous game together in the apartment that belongs to Sam's roommate, the gorgeous, wealthy acting student Marx Watanabe. Marx becomes the third corner of their triangle, and decades of action ensue, much of it set in Los Angeles, some in the virtual realm, all of it riveting. A lifelong gamer herself, Zevin has written the book she was born to write, a love letter to every aspect of gaming. For example, here’s the passage introducing the professor Sadie is sleeping with and his graphic engine, both of which play a continuing role in the story: “The seminar was led by twenty-eight-year-old Dov Mizrah....It was said of Dov that he was like the two Johns (Carmack, Romero), the American boy geniuses who'd programmed and designed Commander Keen and Doom, rolled into one. Dov was famous for his mane of dark, curly hair, wearing tight leather pants to gaming conventions, and yes, a game called Dead Sea, an underwater zombie adventure, originally for PC, for which he had invented a groundbreaking graphics engine, Ulysses, to render photorealistic light and shadow in water.” Readers who recognize the references will enjoy them, and those who don't can look them up and/or simply absorb them. Zevin’s delight in her characters, their qualities, and their projects sprinkles a layer of fairy dust over the whole enterprise.

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

Pub Date: July 5, 2022

ISBN: 978-0-593-32120-1

Page Count: 416

Publisher: Knopf

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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THE BOOK CLUB FOR TROUBLESOME WOMEN

A sugarcoated take on midcentury suburbia.

A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.

Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.

A sugarcoated take on midcentury suburbia.

Pub Date: April 22, 2025

ISBN: 9781400344741

Page Count: 384

Publisher: Harper Muse

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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