by Pina Di Cola ‧ RELEASE DATE: Aug. 27, 2014
Combining thorough research, personal insights and photo galleries of numerous internationally known celebrities, Di Cola...
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Debunking the myth that some are just born “photogenic,” author and professional photographer Di Cola investigates the nature of beauty and the empowering concept of the “photo-image.”
With decades of experience photographing stars from Arnold Schwarzenegger to Mariska Hargitay, Di Cola has seen her fair share of good-looking mugs. She explains that the best way to photograph anyone isn’t about a particular angle or set of lights; rather, it’s about revealing the beauty within that person. However, she argues that no one can accurately see themselves unless they invest in understanding and procuring a “photo-image,” which is essentially Di Cola’s version of an unfiltered, honest portrait that is neither refracted nor altered. In daily life, when we look into mirrors, we are seeing a flipped image of ourselves. When we see ordinary photographs, we often feel that they are not accurate representations of us, and so we claim that we are not photogenic. However, with a series of neatly laid out chapters and elegant photo insertions, Di Cola makes the case that everyone is photogenic. The problem is not with the image but rather our perception of that image. By having a solid sense of who we are and what we look like, we allow our full beauty to become evident. Without name-dropping, Di Cola weaves anecdotes from her life as a photographer with her personal and professional insights. She supports her claims for the “photo-image” and our skewed perceptions of ourselves in mirrors with extensive research and physics footnotes. The book acts simultaneously as an endorsement of Di Cola’s services and as a meditative, reflective work. Why do we accede so easily to the perceptions of others? What does it take to give us a solid, genuine sense of self? Perhaps most intriguingly, the book serves to document the sheer power of imagery in our lives. The notion that our sense of self is heavily based on our outward appearances can initially be an overwhelming concept, especially because it’s so ingrained within our society. Di Cola helps us isolate and understand why we have such a difficult time accepting our individual beauty.
Combining thorough research, personal insights and photo galleries of numerous internationally known celebrities, Di Cola has created a thoughtful work on the perception of physical beauty.Pub Date: Aug. 27, 2014
ISBN: 978-1494921484
Page Count: 192
Publisher: CreateSpace
Review Posted Online: Oct. 2, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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