Gaus’s eye for detail gives depth and power to a simple tale about complicated people.
Once again, evil invades the orderly world of the Ohio Amish as history professor Michael Braden (Clouds Without Rain, 2001, etc.) straddles the divide between the sacred and the profane.
Born Amish, Martha Lehman suffered an unspeakable trauma as a toddler that left her an elective mute for years. Now, with the help of minister Cal Troyer, her family has become Mennonite, and she’s enrolled at Millersburg College, where art professor Phillips Royce found her so talented he offered her a tutorial in photography. Despite the disapproval of her old friend John Schlabaugh, she even has an English (that is, non-Amish) boyfriend, Sonny Favor, whose socialite mother’s generous gifts to the college have president Arne Laughton dancing attendance, along with department heads like Royce, Braden, Dick Pomeroy, Carol Jenkins, Elizabeth Williams, and Rebecca Wilhite. But when Juliet Favor is killed, Martha stops talking, and her old therapist, Dr. Evelyn White Carson, tries teaming up with Braden’s wife Caroline to help restore her voice. Now Michael must balance many loyalties—to his wife, to his good friend, Sheriff Bruce Robertson, and to his employer—as he tries to unravel mysteries past and present.
Gaus’s eye for detail gives depth and power to a simple tale about complicated people.Pub Date: Nov. 1, 2003
ISBN: 0-8214-1529-8
Page Count: 226
Publisher: Ohio Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
A middling mystery with telling historical details and the usual pleasures provided by the regulars’ interpersonal dynamics.
A plucky group of early-20th-century detectives (Murder on Trinity Place, 2019, etc.) takes on the Black Hand.
The leads include Frank Malloy and Gino Donatelli, former police officers who started a detective agency after an unexpected legacy made Malloy a wealthy man; Malloy’s wife, Sarah, the daughter of a wealthy society family who runs a maternity clinic for the poor; and their nanny, Maeve, a budding sleuth who works in Malloy’s office. All of them leap to attention when Gino’s sister-in-law Teodora reports that Jane Harding, a worker at the settlement house where Teo volunteers, has been kidnapped by the Black Hand, who are notorious for abducting the wives and children of anyone who can afford to pay ransom. The New York Police Department is corrupt, and the local Italian immigrants never report crimes. Mr. McWilliam, who runs the settlement house, had asked Jane to marry him, but she’d asked him to allow her to experience more of the single life before deciding. Seeking clues, Sarah visits Mrs. Cassidi, an earlier kidnapping victim who’s refused to talk to anyone, in hopes that her nursing experience and sympathetic manner will get results. Mrs. Cassidi admits to being raped but knows little about where she was held captive, a quiet place in a house where she could hear children. Soon after Nunzio Esposito, a leader of the Black Hand, tells Malloy that no one’s been taken from the settlement house, Jane suddenly reappears but refuses to discuss where she’s been. Lisa Prince, Jane’s well-to-do cousin, reluctantly agrees to take her in even though Jane’s jealous of her wealth and can be unpleasant to deal with. When Esposito’s found murdered in a flat he rented for his mistress, Gino, who’s just arrived on the scene, is arrested. Now the clever sleuths must solve both the murder and the abductions to clear Gino’s name.
A middling mystery with telling historical details and the usual pleasures provided by the regulars’ interpersonal dynamics.Pub Date: April 28, 2020
ISBN: 978-1-9848-0574-4
Page Count: 336
Publisher: Berkley Prime Crime
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...
A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.
Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.Pub Date: June 5, 2012
ISBN: 978-0-307-58836-4
Page Count: 432
Publisher: Crown
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
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