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LEO AND THE SPOOKY FOREST

An initially frightening fairy tale with an upbeat message.

Awards & Accolades

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In Kane’s picture book, a young boy is the only one in his village who doesn’t fear the nearby Spooky Forest.

A small village is nestled on the edge of a scary wilderness, where trees have red eyes and shadows move by themselves. The adults are too scared to enter it, but a boy named Leo isn’t frightened; he wants to explore the forest with his dog, Snaggle. One night, the pair wander into the woods with a lantern, walk past the glowing eyes of trees and animals, and continue on; a whispering voice in the wind says that “only the brave” can enter a secret door, which leads to an unexpected place. Burton’s illustrations have a Germanic aspect, which may remind readers of such tales as “Hansel and Gretel.” The story has some spooky elements and images that may frighten very young readers, such as a green, smirking, elven figure, revealed as the keeper of the forest, and small animals with aggressively bright eyes. However, the tale’s message is positive and light, urging readers to be kind and brave, and to be aware that not everything that seems frightening is necessarily nefarious; sometimes, even scary creatures can be silly and kind. (Leo is portrayed with pale skin; other villagers have a range of skin tones.)

An initially frightening fairy tale with an upbeat message.

Pub Date: Aug. 14, 2025

ISBN: 9781966675273

Page Count: 40

Publisher: Solander Press

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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FRANKENKITTY

A top-grade creepy/funny addition to the spooky-picture-book canon.

Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?

“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.

A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)

Pub Date: July 7, 2026

ISBN: 9781664300972

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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