A pleasant dramedy for people who want to retire to the country.
After a bereavement, a young Englishwoman moves to a small village and figures out what she wants from life.
Jess Metcalfe has been contentedly floating through life, working at the local library, living with her beloved grandmother Mimi, and having regular video chats with her best friend, Hannah, who’s moved to New Zealand. In what seems like an instant, however, Mimi dies, the library closes, and Jess doesn’t know what to do with herself. On a whim, she buys a little cottage in the Devon village of Middlemass and finds herself with a daunting renovation ahead of her and an iconic—and abandoned—red telephone box that she's now responsible for out front. After attending a town meeting foisted on her by Aidan Foxworthy, her cute, single-dad neighbor, Jess finds herself setting up a tiny lending library inside the phone booth and watching as it slowly brings the whole community together. This is a novel about a village, and Alexander has created a group of colorful characters who each have their own charm—from Becky the harried mom to Diana the stylish retiree, Joan and Muriel the sniping neighbors (and possibly sisters?), and of course Aidan the attractive neighbor. While Jess is connected to everyone, the other character' stories mostly happen off the page, so a large part of the novel consists of villagers telling Jess what happened to them slightly earlier. Even during scenes where Jess is present, the reader is often simply told that she gave a speech and it was touching rather than being shown the speech itself. All this auxiliary plot leaves little time to dive into Jess’ main problem, which seems to come out of nowhere (as well as being something she should have foreseen from the start). Nevertheless, the book does charm, especially in its descriptions of the village.
A pleasant dramedy for people who want to retire to the country.Pub Date: July 19, 2022
ISBN: 978-0-06-321693-8
Page Count: 336
Publisher: Avon/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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