Iranian and American cultures collide in a shower of glitter and tears in this sendup of the SoCal elite.
A wealthy Iranian family in Los Angeles has a reality TV deal—and their inner lives—turned upside down by Covid-19.
The four Milani sisters are ready for their moment in the spotlight. They’ve grown up rich, thanks to their dad’s booming snack empire—he’s the inventor of the “Pizzabomme”—but now they have a chance for stratospheric fame in the form of a reality show. Two of the sisters already know they have “Main Character” energy: Roxana, the daddy’s girl and ambitious influencer, and the youngest sister, Haylee, who’s obsessed with wellness culture and clean eating. On the other side of the family spectrum is Violet, the sensitive eldest, who has built a career as a model, and the chronically ill and “practical” Mina, who is more interested in anonymous online stan culture than her own face on TV. The four young women live in a sprawling estate with their mismatched parents—their slick snack-baron dad and gloomy mother—and (obvs) the household help. But as the six members of the Milani family are about to begin filming a Kardashian-style TV show, the pandemic forces them to confront the variety of secrets and hidden longings they’ve all been harboring for too long. Khakpour, who was born in Tehran and raised in Los Angeles, has written a kind of hyperreal neon inversion of Little Women, if the March girls had to deal with hashtags, eating disorders, microaggressions, and group chats. Khakpour aims for, and mostly hits, the sweet spot of satire, where critique blurs at the edges with sympathy for the hot messes that are the Milanis. It’s not easy, after all, to figure out your identity, especially when the world is watching.
Iranian and American cultures collide in a shower of glitter and tears in this sendup of the SoCal elite.Pub Date: June 11, 2024
ISBN: 9781524747909
Page Count: 336
Publisher: Pantheon
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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