Candid, textured, and amusing: a novel readers will devour in one sitting.
Zahra Khan finds herself in a real-life Bengali natok, or drama, when two handsome boys enter her life.
All Zahra really wants is to be a writer, but she must first navigate adulthood, love, and the Bengali community of Paterson, New Jersey. She has to put off college to work at local Pakistani tea shop Chai Ho to help her mother support their family, which has struggled financially ever since her father died two years ago. While Zahra focuses on making ends meet, her mother tries desperately to set her up with gorgeous, well-mannered Harun Emon, who is from a wealthy family—precisely what Zahra’s mom is looking for. The two 18-year-olds are not interested in one another, but they pretend to date to keep their parents satisfied. Meanwhile, Zahra is falling for new Chai Ho hire Nayim Aktar, a poor orphan and recent arrival from Bangladesh. As the pressures start building, Zahra finds herself at a crossroads: choose obligation or choose herself. Taslim’s descriptions of the Bengali community and her articulation of diverse Muslim identities and practices are authentic and nuanced. Details like waking up for Fajr prayer, halal dating, and inner turmoil over wanting physical intimacy describe genuine experiences. Topics like double standards in the South Asian community, the intersection of queer and Muslim identities, and the reality of the inaccessibility of higher education add depth to the novel.
Candid, textured, and amusing: a novel readers will devour in one sitting. (Romance. 12-18)Pub Date: Jan. 3, 2023
ISBN: 978-1-66590-110-9
Page Count: 400
Publisher: Salaam Reads/Simon & Schuster
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
PERSPECTIVES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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