by Qais Akbar Omar ‧ RELEASE DATE: April 16, 2013
A gorgeously rich tapestry of an amazing life and culture.
A carpet designer and businessman's profoundly moving account of a childhood and adolescence lived amid the Afghan civil war.
When Omar was growing up in the early 1990s, his native city of Kabul was “like a huge garden.” Life was full and happy, and his only concern was besting his cousin Wakeel at kite flying. But then rival Mujahedeen factions began fighting each other, transforming the once-Edenic city into a bloody wasteland that reminded Omar of “an American horror movie.” The family sought refuge in Qala-e-Noborja, a fort on the outskirts of Kabul that a friend of Omar’s father had transformed into a lush, green compound. As rockets and gunfire exploded around them, the family planned for their return home. Omar and his father attempted to go back to the family house, only to find it occupied by sadistic soldiers who imprisoned and tortured the pair before freeing them. As the ring of terror tightened around the fort, the family fled Kabul. Their dangerous journey took them through central and northern Afghanistan, where they camped in caves located inside a giant statue of the Buddha and joined nomad relatives on their overland treks. Along the way, Omar met, and fell in love with, an older deaf-mute Turkmen girl who taught him how to weave carpets. These skills would eventually help him support his starving, demoralized family and secretly provide work to young Kabuli women who suffered under the misogynist regime of the Taliban. As lyrical as it is haunting, this mesmerizing, not-to-be-missed debut memoir is also a loving evocation of a misunderstood land and people.
A gorgeously rich tapestry of an amazing life and culture.Pub Date: April 16, 2013
ISBN: 978-0-374-15764-7
Page Count: 416
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 16, 2013
Kirkus Reviews Issue: March 1, 2013
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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