Children may not recognize themselves herein, but their caregivers will see their little monkeys.
Hilda Snibbs cares for Tim, Sam, and Lulu, three lively monkeys.
One morning the well-turned-out white woman leaves her elegant home to buy bananas. The simian siblings grow bored, so they look in the hall closet for something to play with, and they find umbrellas, shoes and boots, and fancy hats. “When Hilda came home she found the most dreadful mess.” She tells them how disappointed she is; they just stare with their big, round eyes. When she goes to buy a hat the next day, the living room is the scene of the next mess. There is a shopping trip for wool the following day, and the kitchen falls prey. The next day, it’s the bathroom. Hilda warns them sternly before she leaves to visit her sick mother. She returns to a clean house. Oh no! Where can the monkeys be? Weeping, Hilda goes to the closet for a dry hanky—and finds her charges. That night she finds her bed full of silverware and tinned sardines. “But that is the sort of thing you have to expect if you have three little monkeys.” British illustrator Blake here supplies the words for Chichester Clark, his former student at the Royal College of Art. The duo’s first outing together is a charming story of patient devotion. Chichester Clark’s bright and lively mixed-media illustrations are full of patterns, detail, and adorable, mischievous monkeys.
Children may not recognize themselves herein, but their caregivers will see their little monkeys. (Picture book. 3-7)Pub Date: Nov. 7, 2017
ISBN: 978-0-06-267067-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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