by Quincy Carroll ‧ RELEASE DATE: Feb. 22, 2022
An engrossing and unsettling tale of self-mythology and self-delusion.
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A man’s story of his time in China may not be what it seems in this literary novel.
Cole Chen spends a year in Hunan Province, where his American friends provide him with a job and an apartment in the bustling city of Changsha. “You’d set two goals for yourself that year,” he narrates to himself, “find a girlfriend and write a book (your first time attempting either). You’d had plenty of hookups in school but never really made it much further than that….What was the saying? ‘Sow your wild oats.’ ” He meets a woman named Harmony, a painter who also turns out to be a con artist. The two begin an affair, though one fated to end abruptly. Back in San Francisco after his year abroad, Cole is editing his memoir while overstaying his welcome on his brother Abraham’s couch. Rumors circulate about Cole making women “feel weird,” and Abraham suspects something happened in Changsha. As the two timelines unfold side by side—Cole in China from his own perspective and Cole in America from the viewpoints of those around him—a contradictory narrative emerges. The story that Cole tells about himself may not be the whole truth, especially given the writerly flourishes of his memoir. But will the rest of the tale come to light? Whether aligned with Cole or someone else, Carroll’s prose is exact and cutting, as here where Abraham ponders the silences in his brother’s tale: “It was clear that something had happened in Changsha. You would never know it, though, given the way he spoke. It was all adventure this and freedom that, roses and green fields, when the reality of the situation was something closer to the fact that he had hit rock bottom.” This is one of those novels of which the less said, the better. As readers realize just what the author is doing, the work morphs from a bookish-man-abroad tale into something more thrilling. It’s a story of a subtler sort of toxic masculinity, one that feels timely and yet organic. From concept to execution, Carroll delivers.
An engrossing and unsettling tale of self-mythology and self-delusion.Pub Date: Feb. 22, 2022
ISBN: 978-1-78869-251-9
Page Count: 282
Publisher: Camphor Press
Review Posted Online: Nov. 2, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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