Sadly, stories with a potential too insufficiently realized to deliver sustenance.
From novelist Quinn (High Strung, 2003), an oddly flat first collection that deals mostly with overly familiar domestic issues.
In “Dough,” a young woman with a “peaceful father” and a mother who went overnight from showgirl to paralegal, spends time with her grandmother, who has “rosebud nostrils” and is suffering from dementia. Her mother comes by one evening and catches the girl in flagrante with her boyfriend, a bread maker. Yet the story is too quiet to be memorable. A woman’s experience of rape is associated in her mind with CNN’s reports of American astronauts, ideas that merge in a conclusion that doesn’t work (“Back on Earth”). In “Endurance Tests,” a divorced mother connects her young son’s episodes of playing dead after his dog dies with the endurance tests she and a girlfriend tried with each other when they young, concluding that nothing was enough to prepare them for adult life. The inconclusive “Shed This Life” follows a woman whose parents died when she was in high school as she now leaves a boyfriend she met in the dentist’s office (where she works) after she let him know she’s pregnant. Dalton’s language is too pat (“Ted is looking at me like a man not quite recovered from Novocain, mouth breathing and he doesn’t even know it”), her character’s motivations unclear. “How to Clean Your Apartment” gives us a young woman trying to break up with a boyfriend while drinking whiskey and preparing to throw out clothes, gifts, junk. It’s saved from dullness by witty index subheads (“Screening calls: brief arguments for, 7.61”; “Therapy, cheaper alternatives to, 9:07”) but closes with the same old ending. The overlong title story gives an account of the narrator’s breakup with her boyfriend, told in tandem with the saga of her parents’ separation, her mother’s depression and her grandmother’s controlling temperament. Dalton gives each equal weight, robbing her tale of drama and emotion.
Sadly, stories with a potential too insufficiently realized to deliver sustenance.Pub Date: April 19, 2005
ISBN: 0-7434-7055-9
Page Count: 224
Publisher: Washington Square/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
BOOK REVIEW
Thirty-plus ``short-shorts'' hover around several common incidents—a sister's suicide, small-town women navigating lives of depressing claustrophobia. The author of two novels (Strange Angels, 1993) and a previous collection (Bend This Heart, 1989), Agee shows she can brew up a potent moonshine that combines literary surrealism with country & western jukebox wisdom. The problem is the hangover such prose can bestow. In ``My Last Try,'' the language strains for effect: ``That day the sun shone mean and glittery as a knife in my throat. Like a Broadway musical of my life, The Phantom of the Opera gone bad, and I was expected on stage any minute, with the mask covering whatever ugliness I'd been up to.'' Yet once the author gets her engines running, the story becomes a moving portrayal of a middle- aged woman's adultery: ``I felt tired that month, going from one to the other, like a mother with two sick children or a person with two jobs.'' Meanwhile, two longer works, ``Dead Space'' and ``There Has to be a Beginning,'' show up the thinness of the smaller efforts. Indeed, few of the short-shorts work—though ``The Change Jar'' is an exception: In just two pages, it manages to produce the impression that we know a disppointed man's life, inside and out. But Agee's best work comes in glimpses from inside flawed stories— a portion of ``Cata,'' the middle of ``The Jesus Barber Shop''- -leaving the impression that perhaps the problem is with the form itself, which turns Agee skittish. A few of these pieces (in this latest addition to the Coffee- To-Go Short-Short Story series) provide jolts of recognition, but too many end up feeling like writing exercises: as cryptic as runes, they neither rise nor converge.
Pub Date: May 1, 1995
ISBN: 1-56689-032-2
Page Count: 144
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
Gilchrist's fifth collection (Light Can Be Both Wave and Particle, 1989, etc.) is the familiar mix of dizzy lyricism, gossipy southernisms, and erotic longing that we've come to expect from her—though fans will be pleased with the continuing chronicle of the life of alter ego Rhoda Manning. ``An orgasm is an orgasm and it's a hell of a lot better than Xanax,'' Rhoda says in ``A Statue of Aphrodite,'' the book's opener about her visit with Dr. Brevard, an obstetrician who falls in love with his patient after reading one of her magazine articles; the search for orgasmic love is still Gilchrist's overriding theme, but her 50-ish heroine, introduced in In the Land of Dreamy Dreams (1981), is now more cautious and less frenetic. There is also an elegiac quality to the collection: ``Paris'' is a slice-of-life about Rhoda overseas, her knockabout credo undercut by the death of a young man in an explosion set by the Italian Mafia; ``Joyce'' is a tribute to a one-legged university teacher (Rhoda is one of his students), a teacher of Joyce too good for the mundane world who smokes himself to death; and ``Among the Mourners'' is about a poet suicide. On a lighter note, Gilchrist has a lot of fun at the expense of the health-care industry and its byzantine insurance scams as Rhoda writes letters to Blue Cross (``The Uninsured''); of the New Orleans poetry and jazz subculture (``The Raintree Street Bar and Washateria, A Fable''); and of her old standby Miss Crystal from Victory Over Japan (1984), now afflicted with allergies (``Too Much Rain, or, The Assault of the Mold Spores''). Some of these stories are as good as poetry slams, others spend too much time in the fields of dipsy-doodle ditziness. But even so, it's one of Gilchrist's best as her characters, deep into middle age, begin to take account of lasting things.
Pub Date: May 3, 1995
ISBN: 0-316-31442-0
Page Count: 272
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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