Overall, a fun and enjoyable look into the drama of lives of privilege and power.
An American teen is swept away to Tokyo, Japan, beginning a posh new life with a father she’s never met.
Ever since her prescription-drug addicted mother went to jail, Elle Zoellner, who is European-American, African-American, and Native American on her mother’s side and Japanese on her father’s, has been in foster care. On her 16th birthday her long-lost father sends for her. Suddenly, Elle is living in a luxury Tokyo hotel owned by her family and attending an elite international school. It all seems like a dream come true until she meets her impassive father and indifferent grandmother and aunt. In an attempt to win them over, she makes her way into the superrich and popular clique at school, the Ex-Brats. But when Elle finds herself falling for the boy iced out by the group and hated by her family, her life becomes even more confusing. Cohn (Sam & Ilsa’s Last Hurrah, 2018, etc.) creates a fun, well-paced novel about family, friendship, and romance, but aside from Elle, many characters are underdeveloped and the plot feels like a soap opera. Cohn tries to tackle many important issues, including substance abuse, but doesn’t devote much attention to them. The ending feels rushed and abrupt, but the descriptions of Japanese etiquette and customs, sights, attractions, and food succeed.
Overall, a fun and enjoyable look into the drama of lives of privilege and power. (Fiction. 13-18)Pub Date: Dec. 18, 2018
ISBN: 978-1-368-00839-6
Page Count: 352
Publisher: Disney-Hyperion
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s...
Poetry helps first-generation Dominican-American teen Xiomara Batista come into her own.
Fifteen-year old Xiomara (“See-oh-MAH-ruh,” as she constantly instructs teachers on the first day of school) is used to standing out: she’s tall with “a little too much body for a young girl.” Street harassed by both boys and grown men and just plain harassed by girls, she copes with her fists. In this novel in verse, Acevedo examines the toxicity of the “strong black woman” trope, highlighting the ways Xiomara’s seeming unbreakability doesn’t allow space for her humanity. The only place Xiomara feels like herself and heard is in her poetry—and later with her love interest, Aman (a Trinidadian immigrant who, refreshingly, is a couple inches shorter than her). At church and at home, she’s stifled by her intensely Catholic mother’s rules and fear of sexuality. Her present-but-absent father and even her brother, Twin (yes, her actual twin), are both emotionally unavailable. Though she finds support in a dedicated teacher, in Aman, and in a poetry club and spoken-word competition, it’s Xiomara herself who finally gathers the resources she needs to solve her problems. The happy ending is not a neat one, making it both realistic and satisfying. Themes as diverse as growing up first-generation American, Latinx culture, sizeism, music, burgeoning sexuality, and the power of the written and spoken word are all explored with nuance.
Poignant and real, beautiful and intense, this story of a girl struggling to define herself is as powerful as Xiomara’s name: “one who is ready for war.” (Verse fiction. 14-18)Pub Date: March 6, 2018
ISBN: 978-0-06-266280-4
Page Count: 368
Publisher: HarperTeen
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
PERSPECTIVES
SEEN & HEARD
Hard-to-read story, hard-to-stop-reading writing.
A hardscrabble antihero’s coming out lands him in an off-the-grid conversion camp.
Connor Major of Ambrose, Illinois, has quite a mouth on him. But when it comes to the rite-of-passage revelation to his single, hardcore Christian mother that he’s gay, he can’t find his words. At the behest of his boyfriend, Ario, Connor begrudgingly comes out, which is where the book begins. His rocky relationship with his mother is disintegrating, his frustration with exuberantly out Ario grows, accusations of being the absentee father of his BFF’s baby boy haunt him, and he gets violently absconded to a Christian conversion camp in Costa Rica. And that’s all before the unraveling of a mystery, a murder, gunshots, physical violence, emotional abuse, heat, humidity, and hell on Earth happen in the span of a single day. This story points fingers at despicable zealots and applauds resilient queer kids. Connor’s physical and emotional inability to fully find comfort in being gay isn’t magically erased, acknowledging the difficulty of self-acceptance in the face of disapproving homophobes. Lord of the Flies–like survival skills, murder, and brutal violence (Tasers, spears, guns) fuel the story. And secret sex and romance underscore the lack of social liberty and self-acceptance but also support the optimistic hope of freedom. Connor is White, as is the majority of the cast; Ario is Muslim.
Hard-to-read story, hard-to-stop-reading writing. (Fiction 14-18)Pub Date: Sept. 15, 2020
ISBN: 978-1-63583-061-3
Page Count: 392
Publisher: Flux
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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