Intriguing characters and splendid writing mitigate the lightweight plot.
Two teens in Manhattan really love each other, but they have trouble letting each other know.
Of course Dash loves Lily, but he doesn’t bother to say so, even though the white teens are officially boyfriend and girlfriend. Christmas is coming, and Dash knows that Lily adores the season, but she’s been depressed ever since her beloved grandfather had a heart attack. Lily just can’t seem to get excited and doesn’t even bother to get a tree, so Dash steps in to pick out the best tree available. Shortly after the annual tree-lighting party, usually arranged by Lily but not this year, Lily decides to go out walking in Manhattan and doesn’t bother to come home for the night. Dash and her brother go out looking for her and find her, but the same thing happens just a few days later. Finally Dash goes to extreme lengths to make Lily happy, while Lily despairs because Dash has never told her he loves her. Returning to their characters six years after Dash & Lily’s Book of Dares (2010), Cohn and Levithan write with verve and plenty of wry comedy (“you are but a romantic sapling. I am a sequoia,” pontificates Lily’s great-aunt, Mrs. Basil E.), but this is as much a character study of Dash and Lily as it is a romance. However, character development and enjoyable prose overwhelm the rather skimpy plot, which consists mostly of Lily’s angst-driven episodes and Dash’s attempts to resolve them.
Intriguing characters and splendid writing mitigate the lightweight plot. (Romance. 12-18)Pub Date: Oct. 18, 2016
ISBN: 978-0-399-55380-6
Page Count: 224
Publisher: Knopf
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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