by Rachel Cusk ‧ RELEASE DATE: Aug. 14, 2012
Bold, gripping, original and occasionally darkly funny.
A novelist's unflinching analysis of her failed marriage.
Cusk (The Bradshaw Variations, 2010, etc.) fixes an unnervingly steady gaze on the breakdown of her domestic life. “There was nothing left to dismantle,” she writes, “except the children, and that would require the intervention of science.” In her third memoir, the author brings together elements of a well-constructed novel—it’s compelling and even thrilling, despite the fact that the story is unsurprising and banal (man meets woman, and they create a family; family falls apart; man, woman and children grieve)—and its novelistic feel is a credit to Cusk's literary risk-taking. She doesn't tell her tale straight; instead, she weaves in figures from ancient Greek drama (Oedipus, Antigone, Agamemnon, Clytemnestra) and thickens the bare-bones plot with striking, elaborate turns of phrase and powerful images. The last and most unorthodox chapter is told, by Cusk, from the perspective of her au pair Sonia, a scared, scarred girl whom the author abruptly fired when her husband left (though she did provide her with another job). What is most startling about the Sonia chapter is not that the self-sufficient, Oxford-educated Cusk so convincingly inhabits the mind of an unskilled, young foreigner, but that she is willing to expose herself at her worst: cold, harsh, pitiless and even cruel to a woman far more vulnerable than she.
Bold, gripping, original and occasionally darkly funny.Pub Date: Aug. 14, 2012
ISBN: 978-0-374-10213-5
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2012
Kirkus Reviews Issue: June 15, 2012
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by Helen Macdonald ‧ RELEASE DATE: March 3, 2015
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
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An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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BOOK TO SCREEN
by Shonda Rhimes ‧ RELEASE DATE: Nov. 11, 2015
Rhimes said “yes” to sharing her insights. Following her may not land you on the cover of a magazine, but you’ll be glad you...
The queen of Thursday night TV delivers a sincere and inspiring account of saying yes to life.
Rhimes, the brain behind hits like Grey’s Anatomy and Scandal, is an introvert. She describes herself as a young girl, playing alone in the pantry, making up soap-opera script stories to act out with the canned goods. Speaking in public terrified her; going to events exhausted her. She was always busy, and she didn’t have enough time for her daughters. One Thanksgiving changed it all: when her sister observed that she never said “yes” to anything, Rhimes took it as a challenge. She started, among other things, accepting invitations, facing unpleasant conversations, and playing with her children whenever they asked. The result was a year of challenges and self-discovery that led to a fundamental shift in how she lives her life. Rhimes tells us all about it in the speedy, smart style of her much-loved TV shows. She’s warm, eminently relatable, and funny. We get an idea of what it’s like to be a successful TV writer and producer, to be the ruler of Shondaland, but the focus is squarely on the lessons one can learn from saying yes rather than shying away. Saying no was easy, Rhimes writes. It was comfortable, “a way to disappear.” But after her year, no matter how tempting it is, “I can no longer allow myself to say no. No is no longer in my vocabulary.” The book is a fast read—readers could finish it in the time it takes to watch a full lineup of her Thursday night programing—but it’s not insubstantial. Like a cashmere shawl you pack just in case, Year of Yes is well worth the purse space, and it would make an equally great gift.
Rhimes said “yes” to sharing her insights. Following her may not land you on the cover of a magazine, but you’ll be glad you did.Pub Date: Nov. 11, 2015
ISBN: 978-1-4767-7709-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Oct. 31, 2015
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by Julia Quinn & Shonda Rhimes
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