Nothing is what it seems in this tour de force.
A novice Los Angeles investigator searches for a missing woman.
Bailey Meadows is not her real name. But the false identity and backstory created by her mentor, Avery Turner, win her an invitation to live as writer-in-residence at the palatial Topanga Canyon estate of Jack Beckham—the son of famously unpleasant and successful author J.D. Beckham—while she helps him write a thriller. Shortly before, Avery’s partner, Sam Morris, who’d recently suffered some weird fugue episodes, vanished in Topanga Canyon while searching for a missing woman on behalf of their nonprofit organization, The Way Home, and Avery will spare no effort to find her—including getting Bailey inserted into the Beckham home. Jack, meanwhile, is upfront about using Bailey’s perspective as a Black woman to give his book a slant no white man could achieve. The lack of steady Wi-Fi becomes a problem as Bailey strains to do her research for the book and keep Avery informed about her search for Sam. The security guard who helped her find Jack’s estate seems to be watching her, an old woman sneaks in from the woods, and there’s constant danger from wildfires. All this feeds Bailey’s paranoia about a job she feels ill-equipped to handle. So does the time Jack spends familiarizing her with the area where a serial killer’s lurked for many years and revealing that both his mother and wife disappeared without a trace. As evidence piles up about missing women, Bailey continues to doubt herself, and when a wildfire approaches, she fears that she’ll die before she can find the truth.
Nothing is what it seems in this tour de force.Pub Date: June 11, 2024
ISBN: 9781662504174
Page Count: 384
Publisher: Thomas & Mercer
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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