Uses the flexibility of the short-story form to wonderful and whimsical advantage.
Ten stories explore premises surreal, profound, prophetic, playful, and provocative.
In two preceding realistic novels—Goodbye Vitamin (2017) and Real Americans (2024)—Khong didn’t quite let on how wild and woolly her imagination might be. This becomes immediately clear in the first story here, “My Dear You.” “Something nobody tells you is that when you die a death in which your face and body are utterly maimed, you get to choose your face in heaven,” the narrator brightly says, explaining that she will now remedy the too-wide space between her eyes that caused her to be tormented with the nickname “Hammerhead” as a child. But now that she’s actually been eaten by a crocodile while on her honeymoon in Australia, she can have the face she wants: “I know what you’re wondering, and the answer is yes: people in heaven are smoking hot.” In the next story, a more topical premise is explored: The government has announced a “Freshening” initiative as a desperate measure to curtail a terrifying spike in racial violence. Everyone will be given a drug that causes them to see everyone else as a member of their own race and gender. Though the Asian narrator’s white boyfriend voted against it, “the vast majority of white people, it turned out, wanted to go about their lives seeing only other white people.” In “The Family O,” a group of more than 20 Asian women join forces to get revenge on a man in their town who’s dated every single one of them, taking each to an Asian restaurant corresponding to their culture, telling each the exact same story about his trip to a Buddhist temple, then seeming to stumble on a pet store where he buys them a fish that reminds him of them: “Exotic, with elegant, beautiful fins.” Also irresistible is “Serene,” where a sales clerk in an AI-sex-doll factory develops a profound attachment to one of the dolls.
Uses the flexibility of the short-story form to wonderful and whimsical advantage.Pub Date: April 7, 2026
ISBN: 9780593803691
Page Count: 240
Publisher: Knopf
Review Posted Online: Dec. 23, 2025
Kirkus Reviews Issue: Feb. 1, 2026
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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