by Rachel Poliquin ; illustrated by Julie Morstad ‧ RELEASE DATE: Oct. 7, 2025
Witty, smart, and sophisticated.
A most unusual portrait of the color orange.
Poliquin’s epic journey opens, naturally, with an orange. Fast facts and anecdotes follow; though presented seemingly randomly, they coalesce into a rich exploration of the color through the lenses of culture, history, and nature. The rooster from The Canterbury Tales, “dreaming of a fox whose ‘colour was betwixe yellow and reed,’” precedes a spread about how oranges originated in India and southern China, accompanied by an illustration of the fruits traveling to Europe. Next, the author tracks the evolution of the word orange from the Tamil word naru, which means “fragrant.” The tidbits in this quirky “field trip” bounce around, referencing Mark Rothko’s painting Orange and Yellow, the “International Orange” of American astronauts’ space suits, the orange T-shirts Canadian youngsters wear annually to remember Indigenous children sent to government schools, Buddhist monks’ robes, monarch butterflies, and marigolds in an Indian market. The coda to this tale culminates in a page of color theory, with Morstad providing a painterly palette of variations on the hue. Her artwork, relying on watercolor, chalk pastel, and digital rendering, has a vintage, painterly feel that visually binds this series of postcardlike vignettes. Poliquin’s charmingly conversational prose is rife with asides that betray the author’s genuine enthusiasm for her subject (“This mineral is called crocoite. Isn’t it magnificently orange?”); readers will eagerly heed her advice to “find orange in your world.”
Witty, smart, and sophisticated. (Informational picture book. 4-8)Pub Date: Oct. 7, 2025
ISBN: 9781536230529
Page Count: 48
Publisher: Candlewick
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Kimberly Derting & Shelli R. Johannes ; illustrated by Vashti Harrison ‧ RELEASE DATE: June 19, 2018
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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by Amy Cherrix ; illustrated by Chris Sasaki ‧ RELEASE DATE: Sept. 7, 2021
An arguable error of omission and definite errors of commission sink this otherwise attractive effort.
A look at the unique ways that 11 globe-spanning animal species construct their homes.
Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)
An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-5344-5625-9
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 5, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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