This spinoff is heavy on the poop jokes and light on almost everything else—readers expecting a boy Dork Diaries with equal...
This is Max Crumbly's first experience in public school, and so far he's vomited on bully Doug "Thug" Thurston, forfeited a race due to his insistent bladder, and been locked in his locker—but it's still better than home-schooling with Grandma.
Humiliation's a bummer, but cute Erin Madison seems friendly, so the asthmatic, white eighth-grader perseveres. Max laboriously introduces his quirks (chiefly a preoccupation with bathroom functions, but he also likes comic books and rap), his supporting cast, and plot elements in an illustrated "journal" that's marked by many exclamation points and cross-outs. The latter can be baffling; readers will understand why Max seeks to conceal his crush on Erin from his putative audience (and himself), but why redact "I could eat a bowl of alphabet soup and POOP better lyrics!"? Pacing is uneven: the action doesn't really get underway till about the two-thirds mark, when Thug locks Max up again, this time for a long weekend, and the would-be superhero discovers three inept burglars as he tries to escape—and then the story ends on a cliffhanger. Even given its conscious nod to comic books, the plotting is implausible and the prose often painfully artless ("That's when I excitedly came up with a brilliant plan!"), making its eighth-grade authorship all too convincing.
This spinoff is heavy on the poop jokes and light on almost everything else—readers expecting a boy Dork Diaries with equal nuance may be surprised . (Graphic/fiction hybrid. 8-12)Pub Date: June 7, 2016
ISBN: 978-1-4814-6001-9
Page Count: 320
Publisher: Aladdin
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
BOOK REVIEW
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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