As a sweet, simple miniexplainer of a very specific bit of jargon, it works, and the election-year timing couldn't be better.
A common political acronym is decoded when a young girl accompanies her mother to her White House job and meets the mysterious "POTUS."
Penny is a bright and curious little brown-skinned girl, but she's lacking one crucial bit of information about her mother's boss: who is POTUS, and what kind of weird monster must it be? Penny spends a chunk of the day imagining a blue-furred, horned creature with its own plane and a team of tentacled secret agents. When Penny goes wandering, she finally runs into POTUS, a bespectacled white woman with brown hair. After all her speculation, the girl is surprised not that the president of the United States is a woman, but that she's human. Illustrations feature big, expressive faces and give the White House an institutionally friendly vibe as well as a sizable, diverse staff to make it run smoothly. But the story plays a little loose with Penny's age, which is never established. If she's too young to recognize the president on sight, isn't she also too young to be wandering around the White House alone?
As a sweet, simple miniexplainer of a very specific bit of jargon, it works, and the election-year timing couldn't be better. (Picture book. 4-8)Pub Date: July 1, 2016
ISBN: 978-1-62370-758-3
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK REVIEW
An eye-catching, toe-tapping celebration of the melodies in everyday sounds.
A blind girl endeavors to share her musical perception of city sounds.
When Emmalene and Grandma Jean set out one Sunday, Emmalene rejoices at the “busy city symphony” that surrounds them as Bernstrom imbues his rhythmically rhyming text with exuberant onomatopoeia. There’s the “RUMBLE” of the bus, the “BIPPITY-BOP!” of a nearby marching band, and the “tippity-tapping” of the wind. But to impatient Grandma Jean, the sounds are mere “commotion”; for her, music is the church choir’s “loud and joyous” song. When Emmalene becomes frustrated that Grandma Jean doesn’t understand, Grandma Jean valiantly tries to hear from her perspective. But only after Emmalene covers Grandma Jean’s eyes does Grandma Jean finally hear her song; in kaleidoscopically colored text against black background, “acorns ticked. A backhoe WRECKED. A truck HARRUMPHED. And birds peck-pecked.” Emmalene and a tearful Grandma Jean embrace, and together they listen to the city’s “CLAPPING / FLAPPING / tippity-tapping” tune. Mohammed’s bright, bold illustrations vividly animate the bustling city, and Emmalene’s and Grandma Jean’s expressions are endearing; their love is palpable. Though Grandma Jean’s poignant epiphany echoes the trope of a disabled character imparting a lesson to a nondisabled character, the potentially off-key note is offset by the heartwarming portrayal of Emmalene and her grandma’s intergenerational bonding. Grandma Jean and Emmalene present Black with light- and dark-brown skin respectively. (This book was reviewed digitally.)
An eye-catching, toe-tapping celebration of the melodies in everyday sounds. (Picture book. 4-7)Pub Date: Sept. 6, 2022
ISBN: 978-0-06-301112-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A celebration of identity, family and belonging.
Alma Sofia Esperanza José Pura Candela has a very long name, and she’s about to find out how she came to have it.
Alma is a cute little girl with the sweetest pair of striped red-and-white pants ever. She also happens to have a very long name—so long, in fact, that it never fits. Her father sits her down to tell her the story of her name, “Then you decide if it fits.” And so Alma learns about her grandmother Sofia; her great-grandmother Esperanza; her grandfather José; her great-aunt Pura; and her other grandmother Candela. And Alma? She learns Alma was picked just for her. “You will make your own story.” Peruvian-born Martinez-Neal never expresses it in the text, but the illustrations are filled with references to Peru, the country where Alma’s family comes from. Mostly monochromatic against a cream background, the illustrations—print transfers with graphite and colored pencils—are delightful, capturing the distinctive essences of Alma’s many namesakes. Alma is depicted as the color of the paper background, with pink cheeks and a black bob haircut. Whereas the story starts with Alma’s name written in a childish print on a piece of paper that needs an extra piece of paper taped to it, the story ends with Alma’s name in grand and elegant display types. That’s her name, and it fits her just right! A Spanish edition, Alma y cómo obtuvo su nombre, publishes simultaneously.
A celebration of identity, family and belonging. (Picture book. 4-8)Pub Date: April 10, 2018
ISBN: 978-0-7636-9355-8
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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