A hard-hitting critique of a persistent problem.
A sharp account of an agonizing experience of childbirth.
Journalist Somerstein makes her book debut with a raw chronicle of the birth of her first child, which culminated in an unplanned Cesarean section. Because anesthesia failed, she suffered horrifically searing pain and a protracted period of healing. She also suffered severe emotional trauma, ending up with lifelong PTSD—a response, she learned, that affects nearly one in five women who give birth. The author’s anger over that traumatic experience infuses her investigation of the medical, social, and cultural history of C-sections and, more broadly, of a medical system that denies pregnant women’s autonomy and discredits or ignores women’s pain. C-sections, she reports, have become the most common operation in the world, accounting for 31.8% of births in the U.S. Furthermore, “Black, Hispanic/Latinx, and Asian women are disproportionately more likely than whites to have C-sections.” First developed on dead or dying women, with the aim of saving either the fetus or the mother, C-section technique in the U.S. was honed on enslaved people and, during a wave of eugenics, on women deemed unfit to bear more children. Somerstein sees the current uptick in C-sections as evidence of physician hubris and the rampant medicalization of childbirth, including an increased reliance on technology such as electronic fetal monitoring and ultrasounds. The author also discovered that hospitals are incentivized to promote technological responses to childbirth “because these are the kinds of care that insurance companies reward.” If midwives were more fully integrated into childbirth care, as Somerstein advocates, the rate of C-sections likely would be diminished. The author draws on considerable research, including interviews “with midwives, physicians, sociologists, historians, doulas, therapists, and other parents”—conversations, she writes, that “helped me to better understand how what happened to me could have happened.”
A hard-hitting critique of a persistent problem.Pub Date: June 4, 2024
ISBN: 9780063264410
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: April 2, 2024
Kirkus Reviews Issue: May 1, 2024
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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