A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.
A new mother who fears she's going through a frightening and exhilarating transformation leans into the feral side of motherhood.
In this myth-steeped debut, an unnamed artist and mother, not having had a solid night's sleep since her son was born more than two years earlier, has begun waking enraged in the night. Her oblivious tech-bro husband travels for work, "rendering her a de-facto single mom" while he enjoys nightly room service, abundant quiet, and a bed to himself, and she tries to adjust to life at home with their child after having made the ambivalent decision to leave her "dream job" as director of a community gallery. In the wake of creating another human with her body (not to mention sleep deprivation and lack of child care), her impulse to create in other ways has been quashed, her mind wiped clean of ideas as she watches grad school friends, who have both children and the necessary support to advance their careers, ascend, with write-ups in the Times, biennials, residencies, and guest teaching invitations. When she confesses to her husband that she thinks she may be turning into a dog, he laughs off her concerns about the changes she's experiencing—coarse hair sprouting from the back of her neck, lengthening canines, a pilonidal cyst that suspiciously resembles a tail. She self-deprecatingly calls herself "Nightbitch," which plants the germ for a new self she incrementally invents and increasingly embodies, with considerable help from a mysterious library book called A Field Guide to Magical Women. Though at points this novel can read as if ticking boxes from a list of notes cribbed from an internet moms' group, it remains a darkly funny, often insightful dive into the competitive relationship and mutually generative potential between art and motherhood and the animalism underlying procreation and child-rearing. It is both a lament for and, at times, a satire of discontented, primarily White, heterosexual cis women who, without sufficient familial or community support, seek out often toxic and sometimes predatory online communities, where their propensities for a certain kind of American middle-class girl-boss elitism are honed toward "mom shaming" and multilevel marketing scams. Disconnected from family and without a strong sense of cultural belonging, even when Nightbitch seeks to create something truly original, like the MLM moms slinging leggings with appropriated patterns, she also colonizes, longing for and profiting from "the things [she] never had."
A battle hymn as novel about sinking your teeth into the available options for self-determination and ripping them to shreds.Pub Date: July 20, 2021
ISBN: 978-0-385-54681-2
Page Count: 256
Publisher: Doubleday
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.
A year in the life of the No. 2 boarding school in America—up from No. 19 last year!
Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.
A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.Pub Date: Sept. 16, 2025
ISBN: 9780316567855
Page Count: 432
Publisher: Little, Brown
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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