Yglesias of course exploits headlines and Hollywood to tell his tale but not without sensitivity. Most important, he shines...
Three New York friends, in their childhood and adult selves, deal with a wily pedophile in an affecting novel that is big-screen lurid without being superficial or too slick.
In his 10th novel, Yglesias (A Happy Marriage, 2009, etc.) presents the children’s past trauma and their present-day reckoning in alternating chapters. Jeff’s adult cousin, Richard Klein, has already molested the 8-year-old boy when his predatory attention turns to Jeff’s best friend, Brian. The third victim is Julie, Jeff’s young cousin, who is 11. It's hard to say whether the more devastating scene is the 23-page playlet in which Klein traps Julie on his lap in a room full of adults and children and forces the boys to watch him secretly molest her; or the paragraph in which Jeff makes an imaginary adventure of his desperate efforts to dispose of bloodied underwear without his mother’s knowledge. As adults, Brian is single and a successful screenwriter, Julie is a library archivist and married with a teenage son, while Jeff, on his third marriage, is the top film director in the U.S. After years apart, the three reunite because Klein has just managed to elude exposure in another scandal and the trio is debating going public. Yglesias provides several revelations that ramp up the shock in an already awful tale and add a touch of Agatha Christie–like mystery. The author’s experience with Hollywood as a producer and screenwriter (his own novel Fearless and other scripts) brings color and humor to the Brian and Jeff characters. Early in the book, a strange apologia for a character named Aries Wallinksi, who is clearly Roman Polanski (could this be a roman à clef in more ways than one?), previews many of the novel’s themes and then reverberates late in the story with Julie’s cry: “I want people to understand it isn’t just priests and a couple loner weirdos.”
Yglesias of course exploits headlines and Hollywood to tell his tale but not without sensitivity. Most important, he shines a Kleig light where it may be most needed, into the parlors and playrooms where many Americans endure or perpetrate these nightmares.Pub Date: March 24, 2015
ISBN: 978-1-61620-384-9
Page Count: 384
Publisher: Algonquin
Review Posted Online: Jan. 6, 2015
Kirkus Reviews Issue: Jan. 15, 2015
A lovely, painful book: Walker's finest work yet.
Walker (In Love and Trouble, Meridian) has set herself the task of an epistolary novel—and she scores strongly with it.
The time is in the Thirties; a young, black, Southern woman named Celie is the primary correspondent (God being her usual addressee); and the life described in her letters is one of almost impossible grimness. While young, Celie is raped by a stepfather. (Even worse, she believes him to be her real father.) She's made to bear two children that are then taken away from her. She's married off without her consent to an older man, Albert, who'd rather have Celie's sister Nettie—and, by sacrificing her body to Albert without love or feeling, Celie saves her sister, making it possible for her to escape: soon Nettle goes to Africa to work as a Christian missionary. Eventually, then, halfway through the book, as Celie's sub-literate dialect letters to God continue to mount (eventually achieving the naturalness and intensity of music, equal in beauty to Eudora Welty's early dialect stories), letters from Nettie in Africa begin to arrive. But Celie doesn't see them—because Albert holds them back from her. And it's only when Celie finds an unlikely redeemer—Albert's blues-singer lover Shug Avery—that her isolation ends: Shug takes Celie under her wing, becomes Celie's lover as well as Albert's; Shug's strength and expansiveness and wisdom finally free up Nettie's letters—thus granting poor Celie a tangible life in the now (Shug's love, encouragement) as well as a family life, a past (Nettie's letters). Walker fashions this book beautifully—with each of Celie's letters slowly adding to her independence (the implicit feminism won't surprise Walker's readers), with each letter deepening the rich, almost folk-tale-ish sense of story here. And, like an inverted pyramid, the novel thus builds itself up broadeningly while balanced on the frailest imaginable single point: the indestructibility—and battered-ness—of love.
A lovely, painful book: Walker's finest work yet.Pub Date: June 28, 1982
ISBN: 0151191549
Page Count: 316
Publisher: Harcourt Brace Jovanovich
Review Posted Online: Oct. 6, 2011
Kirkus Reviews Issue: June 1, 1982
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Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the...
An accident forces a man to return to his small Iowa hometown and confront violent secrets from his past, ones he’s kept hidden from his wife.
Sarah Quinlan thought she knew everything about her husband, Jack: an accident killed his parents when he was 15 so he left Penny Gate, Iowa, and has only been back once. But when the couple gets news that Jack’s beloved aunt Julia, who raised Jack and his younger sister, Amy, after their parents’ deaths, is gravely injured in a fall, the prodigal son returns. Gudenkauf (Little Mercies, 2014, etc.) makes it clear from the start that nothing should be taken at face value, not Jack’s story about his parents (his mother was actually bludgeoned to death, and his father, now MIA, was the prime suspect) or the seemingly idyllic small-town atmosphere. This, however, does little to heighten the suspense as advice columnist Sarah takes on the role of amateur detective in sniffing out Quinlan family secrets past and present. Through her we meet Jack’s terse cousin Dean and his too-perfect wife, Celia, along with Julia’s husband, Hal, who became like a father to Jack in the wake of his own family tragedy, and Amy, who couldn’t be more stereotypically “troubled.” Jack and Amy’s tragic past, which becomes the central mystery of the plot once Sarah figures out that her husband has been lying to her for two decades, is tied to Julia’s not-so-accidental fall, but only for the purposes of a neatly sewn-up plot.
Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the ending halfway through.Pub Date: Feb. 2, 2016
ISBN: 978-0-7783-1865-1
Page Count: 288
Publisher: Harlequin MIRA
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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