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THE SENTIMENTAL TERRORIST

A NOVEL OF AFGHANISTAN

Deeply disturbing but also moving; will haunt readers long after the last page.

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Talwar’s novel set in modern-day Afghanistan takes a volatile topic—a jihadist preparing to attack a guesthouse in Kabul—and explores the characters involved with empathy and insight.

The storyline, which takes place in the hours leading up to the attack, is narrated in large part from three points of view: Mohsin, the Afghan jihadist; Amala, an aid worker originally from Bangladesh staying at the guesthouse; and James, the British security consultant who loves her. As Mohsin contemplates what he is about to do, he retraces the steps in his life that got him to this bleak point. He’d been a promising architecture and urban planning student at Islamabad University, then a charity worker helping rural communities in Afghanistan. His life turned when he witnessed his entire family killed (while attending an outdoor wedding) by an American air attack, the orders for which were based on misinformation. Talwar’s compelling narrative examines people on both sides of this story—the terrorists and the victims—with an unbiased eye. Mohsin, in particular, is a dynamic character—an intelligent, compassionate, heroic man who somehow finds himself minutes away from participating in an act of terrorism that will undoubtedly kill innocent people. The novel—which is thematically reminiscent of Khaled Hosseini’s The Kite Runner—isn’t so much about war, but about the consequences of war as well as life in modern-day Afghanistan, the cultural oppression of women, political instability, religious bigotry and the blatant disregard of basic human rights. A line from the book is fitting: “When elephants fight, it’s the grass that gets trampled.”

Deeply disturbing but also moving; will haunt readers long after the last page.

Pub Date: Aug. 1, 2012

ISBN: 978-1477603819

Page Count: 288

Publisher: CreateSpace

Review Posted Online: Sept. 6, 2012

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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