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BINDI AND THE BODHI TREE

A quirky and bright introduction to meditation and Buddhism and an appealing addition to the subgenre of books on children’s...

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A cat who lives in a Hawaiian ashram demonstrates yoga poses in this picture book.

Bindi is a stray calico cat that spends one of her nine lives at an ashram after being adopted by Ramakrishna, who lives there. Though deemed scrawny and ugly at first, the cat blossoms at her new home, and seven years later she’s purred her way firmly into the heart of her new owner and become an integral part of the ashram community. Life at the ashram includes seva, or unselfish service to others, a duty Bindi fulfills by teaching a group of diverse students her own style of kitty yoga (“Sometimes we have classes with all Japanese students, so I’ve learned to speak Japanese! It’s so wonderful to know a foreign language!”). Bindi also inspires her owner to overcome obstacles, such as figuring out how to get down from the branches of the ashram’s bodhi tree when he becomes stuck. As Bindi narrates her story, she includes observations inspired by Buddhist principles, such as, when people “meditate they find that god exists right inside of them,” and “even though we all look different on the outside, we are all the same inside.” At the end of the story, the cat explains how to perform a basic mindfulness/meditation technique that focuses on deep breathing and mentally expressing gratitude for positive people and influences. In this engaging book, Michaels (Growing Old with Grace, 2015) builds a charming tale for children around Buddhist ideas and practices. Illustrator Porter’s (The Puzalings and the Puzville Pollution, 2016) artwork enhances the story with lush Hawaiian flowers and cheerful ashram scenes, rendered in warm hues. The underlying philosophy expressed in this colorful book may be too much for parents who’re merely looking for yoga instruction geared to children, but it never gets too heavy. Bindi may even inspire kids to get on the floor and try a few poses—especially Cat-Cow.

A quirky and bright introduction to meditation and Buddhism and an appealing addition to the subgenre of books on children’s yoga practice. 

Pub Date: Sept. 1, 2016

ISBN: 978-0-9978810-1-1

Page Count: 38

Publisher: Moana Publications

Review Posted Online: Feb. 6, 2017

Kirkus Reviews Issue: March 1, 2017

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NOT A BOX

Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...

Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.

Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.

Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)

Pub Date: Dec. 1, 2006

ISBN: 0-06-112322-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2006

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THE BOOK OF MISTAKES

It would be a grave mistake not to pick up this picture book.

A striking debut picture book celebrates the creative process.

Spread by spread, text identifies “mistakes” in art that give way to inspired new creations. “Even the ink smudges scattered across the sky / look as if they could be leaves— / like they’d always wanted to be lifted up / and carried,” reads text representative of the lyrically ruminative language, and it’s juxtaposed with art depicting just such a scene as a little black child looks up at the smudgy leaves. Twists and turns of the changing compositions will provoke delight in readers examining the pages to see how the white girl with the glasses (which started off as eyes that looked too big) changes, and then how she will fit into the increasingly complex compositions. The evolving black ink, colored pencil, and watercolor pictures seem at once spontaneous and refined against the white space of the page. Careful looking will be rewarded with surprising, often funny details in the art, which invites poring over and will slow down the reading of the spare text. The main character, the bespectacled white girl, is eventually joined by a diverse group of other children who play in and around a festive, fantastic-looking tree, all rendered in a style and palette somewhat reminiscent of Erin E. Stead’s work but distinctive in its own right.

It would be a grave mistake not to pick up this picture book. (Picture book. 4-12)

Pub Date: April 18, 2017

ISBN: 978-0-7352-2792-7

Page Count: 56

Publisher: Dial Books

Review Posted Online: March 5, 2017

Kirkus Reviews Issue: March 15, 2017

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