by Randi Hutter Epstein ‧ RELEASE DATE: Jan. 11, 2010
Roll over, Dr. Lamaze, and make room for Epstein’s eyebrow-raising history.
Medical journalist Epstein provides a sharp, sassy history of childbirth.
The book is as much a study in sociology as historical snapshot of human birthing practices and gynecological advances, with particular emphasis on developments in the late 19th- and 20th-century United States. Beginning with Eve, who “started the whole birth-is-painful thing,” and concluding in the present with couples “who sperm-shop and freeze eggs for one reason or another,” Epstein convincingly demonstrates that the human desire to control all aspects of birth has been “a goal since antiquity.” The author covers several centuries’-worth of wildly divergent birthing customs and practices. From the earliest books on women’s health, written by monks, to childbed fever being spread by health practitioners and birthing wards, to early-20th-century feminists arguing that upper-class women had weaker physiologies than their working-class sisters, to the staggering statistic that C-section rates in America have risen 46 percent in the past ten years with no corresponding drop in maternal mortality, Epstein ably investigates the charged, ever-evolving scientific and social perspectives on birth. The author’s engaging sarcasm, evident even in a caption of an illustration of an absurd obstetric contraption—“Nineteenth-century Italian do-it-yourself forceps. The fad never took off”)—lends this chronicle a welcome punch and vitality often absent from medical histories.
Roll over, Dr. Lamaze, and make room for Epstein’s eyebrow-raising history.Pub Date: Jan. 11, 2010
ISBN: 978-0-393-06458-2
Page Count: 320
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
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by Donald Hall ‧ RELEASE DATE: Dec. 2, 2014
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...
The writing life at age 85.
In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.Pub Date: Dec. 2, 2014
ISBN: 978-0544287044
Page Count: 144
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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by Donald Hall ; illustrated by Mary Azarian
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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