A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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SEEN & HEARD
Thoroughly unpleasant and turgid to boot.
Rats and humans declare war on one another in this gory study in hidden fears and shifting loyalties.
Vaguely Victorian in setting, the narrative switches in short alternating chapters between human and rodent casts. Below ground, Blacker concocts an elaborately structured community of rats who somehow converse nonverbally by telepathic “revelation”; certain virginal bucks can even “hear” ambient information. Overhead, street child Dogboy gets by helping both a rat catcher who collects victims for slaughter in pit fights with dogs and also a crackpot scientist who, allied with an ambitious local politician, is engineering a campaign of fear to fuel large-scale massacres of the rat population. Along with adding a companion for Dogboy in Caz, a younger escapee from a “dance school” that trains girls as playthings for wealthy perverts, the author crafts ugly scenes of human brutality that give the rats—vicious or even cannibalistic as some may be—the moral high ground. Despite some humans whose sympathies lie with the rats, the sides are clearer than the plot, which climaxes in a muddled running battle that ends in a draw and is followed by a contrived happy ending. The fantasy elements do at least provide some distraction from the blunt lambasting of human savagery.
Thoroughly unpleasant and turgid to boot. (rat glossary) (Fantasy. 12-14)Pub Date: Sept. 9, 2014
ISBN: 978-0-7636-6902-7
Page Count: 432
Publisher: Candlewick
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
The girls’ mismatched partnership could be a pleasure, if only Evaline could stake the excruciating dialect as easily as she...
A second steampunk adventure of the great detective and the vampire slayer, proper young ladies (The Clockwork Scarab, 2013).
Evaline Stoker (sister of Bram) and Mina Holmes (niece of Sherlock) are a crabby crime-solving duo in an 1889 London where electricity is illegal and steam-powered technology is the order of the day. The great Irene Adler has another royal commission for them: to assist Miss Willa Ashton, who is being taking advantage of by spiritualists. Mina applies her powers of observation to the task, while Evaline, who wants nothing more than an enemy she can punch, is relieved to find vampires are involved. The girls must solve the mystery with only the oddest clues—“Crickets. Pickpockets. UnDead”—while preserving Miss Ashton’s life and sanity. Both girls have romances that seem to prioritize schoolyard sniping over affection. Mina primarily has feelings for clever Inspector Grayling, while Evaline flirts with Pix, an underworld figure whose cockney thieves’ cant, like that of all the lower classes here, is inaccurate, distracting and unpronounceable. An oversupply of characters leaves some so underused as to be clutter. Dylan the time traveler, for example, seems to exist only to provide a third point in Mina’s love triangle while uttering 21st-century pop-culture references.
The girls’ mismatched partnership could be a pleasure, if only Evaline could stake the excruciating dialect as easily as she skewers vampires . (Steampunk/mystery. 12-14)Pub Date: Oct. 7, 2014
ISBN: 978-1-4521-10714
Page Count: 360
Publisher: Chronicle Books
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
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