by Ratha Tep ; illustrated by Camilla Pintonato ‧ RELEASE DATE: Oct. 18, 2022
This rollicking fable will resonate with aficionados, dilettantes, and prodigies everywhere.
One-upmanship has never been so over-the-top.
How can Wally Wombat keep up with Wylie Wombat? Play the piano? Done that. Tap dance—while playing the piano? Done THAT. Twirling a ball on a furry snout—while tap dancing and playing the piano? DONE THAT! Ferociously sweating Wally Wombat has had “ENOUGH!” Wylie Wombat can do everything he can, and maybe even better. If Wally can’t be the best, he won’t play at all. So there. Wally quickly realizes that a quiet life in his burrow, while nice, isn’t what he wishes for most of all. Wylie offers up a truce and chocolate chip cookies on a picnic blanket—playing alone isn’t quite as much fun as having a friendly competitor. Wally and Wylie set up their dueling pianos. Soon the overachieving marsupials unicycle and flamethrow to stardom under the eucalyptus tree. They are the best—until they aren’t….Tep’s encouraging message about doing what you love despite not being the greatest of all time will spur children to explore life’s joys just for the pleasure it brings. (Regardless of cheeky parachuting wombats.) Pintonato’s vividly detailed illustrations comically highlight the myriad emotions clashing across put-upon Wally’s face. The unifying motif of the picnic blanket–patterned endpapers cleverly foreshadows the conflict resolution to come. The illustrator’s skillful use of negative space emphasizes the escalating mayhem to hilarious effect. (This book was reviewed digitally.)
This rollicking fable will resonate with aficionados, dilettantes, and prodigies everywhere. (Picture book. 4-8)Pub Date: Oct. 18, 2022
ISBN: 978-1-64896-180-9
Page Count: 40
Publisher: Princeton Architectural Press
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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