A powerful examination of the U.S. legal field.
A study of how the "cartelization" of the legal field denies most Americans proper "access to justice."
Since colonial days, the legal profession has been proud of “its role in the founding of the republic, the adoption of the U.S. Constitution, and the defense of democracy and the rule of law.” Today, however, the profession faces an “an existential crisis” on which “the American democratic experiment hinges,” writes law professor Brescia, author of How Cities Will Save the World. According to multiple studies, the legal system that helped create what can be called the longest-running democratic republic in modern times is inaccessible to most of its own people: 80% of poor Americans, and 50% of those considered middle-class, cannot afford a lawyer. This is partly due to the fact that the field's “professionalization” has rendered it both exclusive and expensive, shutting out countless potential high-quality lawyers and law schools and resulting in the "cartelization" of the field. Brescia concedes the field has overcome crises before, describing how it transformed “virtually every aspect of law practice” following the implementation of strict pandemic protocols, going virtual to a degree most thought impossible. Virtualization made services cheaper and created much-needed access for low-income clients, who sit in the same “tiny square image” as onscreen judges. However, given recent political upheavals unmistakably enabled by lawyers, Brescia makes a convincing case that the legal profession must take massive strides toward reform now. “A robust professionalism, attuned to the needs and broader values of the American system, empowers the legal profession to fulfill its appropriate role within that system,” he writes. If significant reforms are not implemented in the near future, “democracy itself [is] at risk.” General readers may stumble through some of the legalese, but the author’s arguments are well worth discussion.
A powerful examination of the U.S. legal field.Pub Date: Feb. 1, 2024
ISBN: 9781479823680
Page Count: 312
Publisher: New York Univ.
Review Posted Online: Jan. 4, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An eye-opening look at prison life from the point of view of a true warrior for justice.
A memoir on the making of a literal “jailhouse lawyer.”
Wrongfully arrested and convicted of murder in New Orleans, which at the time had “the highest rate of wrongful convictions in the nation, with nearly all the victims being Black men who…grew up poor,” Duncan served for 23 years in Louisiana’s notorious Angola prison and other institutions. He might have done his time at the Orleans Parish Prison, but, he writes, he wanted access to Angola’s more extensive law library. Well before being transferred there, he petitioned the Louisiana Supreme Court for a law book, a motion denied because it had not first been adjudicated in a lower court. A sympathetic judge gave him a copy all the same, and Duncan was off to a career as an inmate advocate, regularly filing petitions and lawsuits on his own behalf and that of his fellow prisoners—the first suit being “over the jail’s failure to provide him with a high-fiber diet,” soon followed by motions to provide mental health treatment, end beatings and arbitrary punishments, and improve medical care. Known as the “Snickers Lawyer” for taking payment in candy, he became a self-taught expert on constitutional issues. Naturally, he recounts, he was targeted by guards and wardens for his legal activism, even as he proved essential to Angola’s population; in time, too, he found a few unlikely allies among the staff. Duncan’s well-told story is full of fraught moments of abuse both physical and judicial, though it has something of a happy ending in that, after earning a law degree after his release, he was exonerated of the crime and has since been fighting for other prisoners to “have meaningful access to the courts.”
An eye-opening look at prison life from the point of view of a true warrior for justice.Pub Date: July 8, 2025
ISBN: 9780593834305
Page Count: 400
Publisher: Penguin Press
Review Posted Online: April 17, 2025
Kirkus Reviews Issue: May 15, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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