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THE SOLDIER’S FRIEND

A LIFE OF ERNIE PYLE

Boomhower portrays Pyle, still the most renowned war correspondent ever, as a journalist whose special gift was capturing extraordinary moments in the lives of ordinary people. Sandwiched between an opening overview chapter and four sample columns, he traces the Indiana native’s career from school days to death by sniper fire, describing his restless travels to every part of the country, and later through every theater of WWII in which U.S. troops fought. If the narrative sometimes gets bogged down in detail—readers are unlikely to gain much insight from learning the exact costs of Pyle’s New Mexico house, or his hotel room in London during the Blitz, for instance—it does capture Pyle’s character and outlook, while being frank enough to note the battles with alcohol and depression both he and his troubled wife fought. Illustrated with well-chosen photographs and providing at least a taste of Pyle’s distinctive prose (“ . . . the fields and pastures are hideous with thousands of hidden mines”), this profile makes a good companion or replacement for Barbara O’Conner’s Soldiers’ Voice: The Story of Ernie Pyle (1996). (multimedia resource and address lists, index) (Biography. 11-14)

Pub Date: Oct. 1, 2006

ISBN: 0-87195-200-9

Page Count: 152

Publisher: Indiana Historical Society

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2006

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STRANGER TO THE GAME

One of the great pitchers in baseball history (and one of the most outspoken and disagreeable), Gibson recalls his storied career with the capable help of Wheeler (I Had a Hammer, not reviewed) and shows he's not done being ``difficult.'' A ferocious competitor who made his living pitching high and tight, Gibson had a reputation throughout his 17 years with the St. Louis Cardinals for being just as uncompromising and angry off the field, especially concerning racial matters. Gibson was raised in an Omaha, Nebr., housing project, where his older brother was hero, mentor, and coach. After college, Gibson, who claims that he was better at basketball than baseball, signed a contract with both the Cardinals and the Harlem Globetrotters, playing one year for the latter. He calls his first professional baseball manager, Johnny Keane, ``the closest thing to a saint that I came across in baseball.'' When Keane replaced Solly Hemus (whom Gibson despised) in 1961, it turned the Cardinals', and Gibson's, fortunes around. Known for his extraordinary performances in the postseason, Gibson had a World Series record of 7-2, with a 1.89 ERA and an incredible 92 strikeouts over 81 innings. He won 20 games in five different seasons and in 1968 posted a 1.12 ERA in 305 innings. Gibson offers some fun and insightful recollections of big games, friends, and teammates such as Tim McCarver, Joe Torre, and Bob Uecker, and legendary matchups with Juan Marichal (``the best pitcher of my generation''), Sandy Koufax, and Don Drysdale. Despite his Hall of Fame credentials, Gibson claims he's been ostracized from the game and hasn't held a baseball job since 1984. Though he grouses a lot about being slighted by major league baseball and rehashes all-too-familiar racial difficulties, it is refreshing to get the fiery Gibson's take on the grand old game. (8 pages b&w photos, not seen) (First printing of 75,000; $75,000 ad/promo; author tour)

Pub Date: Sept. 1, 1994

ISBN: 0-670-84794-1

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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GEORGE LUCAS

paper 0-8225-9684-9 Late bloomers will take heart in this tale of a classic underachiever who went on to make popular, record-breaking films. Lucas, the creator of the Star Wars series and other movies, just barely graduated from high school. As a youth, he dreamed of becoming a race car driver, but after being badly injured in a collision he began “filming cars instead of racing them.” Following a stint at the University of South California’s film school, Lucas, in his various capacities as writer, producer and director, piled up the series of successes for which he is known, and changed “the film industry by uniting entertainment, business and technology” in the process. The section on how Lucas got the ideas for Star Wars, and its subsequent incarnations—e.g., the first two drafts never mentioned “the Force,”—will fascinate fans and casual movie-goers alike. White is admiring, characterizing Lucas variously and vaguely as “complicated,” “intriguing,” “intelligent,” “humble,” and “intensely private.” That Lucas is driven is clear, but readers will close the book—which ends before the opening of The Phantom Menace in the spring of 1999—knowing more about his career than his soul. (photos, notes, bibliography, index) (Biography. 12-14)

Pub Date: Nov. 2, 1999

ISBN: 0-8225-4975-1

Page Count: 128

Publisher: Lerner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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