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FOUNDERS

THE PEOPLE WHO BROUGHT YOU A NATION

Splendid storytelling that effectively captures and humanizes the tumult of the Revolutionary Era.

Popular historian Raphael (Founding Myths, 2004, etc.) expands the traditional cast of America’s founders and examines “the collective work of the Revolutionary Generation.”

“Great men get great praise; little men, nothing.” So said Continental Army veteran Joseph Plumb Martin, one of the “little men” Raphael highlights in this highly readable history about the messy work of revolution and nation-building. The author reminds us that this was not merely the business of a few talented geniuses, but rather a collective enterprise that also engaged such people as Dr. Thomas Young, the political firebrand who gave Vermont its name, and Timothy Bigelow, a Worcester blacksmith whose armed resistance to the British preceded Lexington and Concord. The narrative features three other primary characters: Robert Morris, the financier whose personal credit sustained the Army; Henry Laurens, the South Carolina aristocrat and reluctant revolutionary; and Mercy Warren, Plymouth’s poet and historian, who looked on disapprovingly as her countrymen betrayed the Revolution’s ideals. Raphael orders their stories around well-known career markers of the founder, George Washington. As the author charts Washington’s familiar progress, he checks in periodically with each of his six principals, updating us on their activities, their contributions to and sacrifices for their country, which included imprisonment, destitution and death. Even as he credits them, though, Raphael doesn’t shy away from noting their vanity, contradictions and self-promotion. Cameos by “second-tier” founders—including James Otis, Ethan Allen, John Laurens (Henry’s son), Thomas Paine and George Mason—and numerous others add color and context to a narrative that covers more than 30 years and touches each section of the colonies. Mercifully free of any political agenda—there’s no attempt to diminish the likes of Adams, Jefferson, Madison, Hamilton or Franklin—Raphael’s scholarship and scrupulously fair treatment deepens our understanding and appreciation, of what our ancestors wrought.

Splendid storytelling that effectively captures and humanizes the tumult of the Revolutionary Era.

Pub Date: May 1, 2009

ISBN: 978-1-59558-327-7

Page Count: 608

Publisher: The New Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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