With the glut of sleepy-time stories out there, this offering does not bring much new to the bedside table
Going to bed doesn’t rank high on most children’s lists of favorite activities, and Janni and Dockray’s attempt to transform the nighttime routine into a rollicking good time is something of a snooze.
Aided by their parents, a brother and sister end their bath and go through the steps of drying off, putting on their jammies, brushing hair and teeth and so on, until they go to sleep. The text is characterized by forced, rhyming verse that will likely leave parents stumbling to read it aloud—for example, “Don’t you know, takes two to untangle— / Mom’ll dance from any angle,” and “Dad is callin’, ‘Little folks-a. / Time to do the p.j. polka!’ ” Equally undistinguished art awkwardly eschews rules of anatomic proportionality and fails to settle in a particular style: Pictures are sketchy and loose in some elements and more controlled and representational in others, resulting in uneven execution. As the book ends, the siblings share the same bed even though the text has them “[s]nuggled close inside [their] beds.” This final misstep provokes confusion in an already flawed overall package.
With the glut of sleepy-time stories out there, this offering does not bring much new to the bedside table . (Picture book. 1-4)Pub Date: Feb. 14, 2012
ISBN: 978-0-374-33680-6
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“Your family’s a story / That’s unique and true. // A family is beautiful, / As beautiful as you.” Can't argue with that!
A celebration of the myriad permutations of the all-American family.
The book is similar in tone, design, and message to Saks and Smart’s earlier Families Belong (2020). The many families shown combine to represent a range of racial, ethnic, and gender configurations. The accompanying rhyming verses recognize each family’s circumstances, interests, and activities as unique strengths—neither right nor wrong, just different. In one family, the father lying on the floor to play a board game wears a turban. In another, the blond-bearded man has a pale complexion, the woman is dark-skinned with straight black hair, and the child looks like the woman. The accompanying text reads: “A family can look / The same or maybe not. / Dad’s from somewhere cold. / Mom’s from somewhere hot.” Another verse hints at a family’s refugee status: “Some families were born / In places far away / And traveled all together / To where it’s safe to play.” Single, same-gender, and separated or divorced parents are depicted as well as a multigenerational family. Children familiar with the Noodle Loaf podcast version of the song may be initially confused by the added verses and minor word changes, but the new verses fit the original song’s cadence. Playful, clear, uncluttered graphic illustrations match the text while adding details not mentioned in the verses.
“Your family’s a story / That’s unique and true. // A family is beautiful, / As beautiful as you.” Can't argue with that! (Board book. 1-3)Pub Date: April 6, 2021
ISBN: 978-0-593-22365-9
Page Count: 24
Publisher: Rise x Penguin Workshop
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
Sentimental and derivative.
A baby llama queries other animals in search of mama.
A woolly cria asks a cow, a pig, a cat, and a horse the same question: “Are you my mama?” Each animal responds in the negative with a rhymed retort: “No, I’m a pig. That’s my gig!” The smiling baby llama always appears on recto with eyes closed so it’s beneath two plush llama ears securely attached to the top of the back cover. This gimmick is the only new feature in the overplayed baby-llama–and-mama genre, and only the very youngest listeners will be surprised when the cria finds its mama and she declares her love for the baby. The companion title, the slightly more engaging and original I Love You Little Monster! also embeds plush elements into the back cover, but this time it is monster horns. On each right-hand page, a different monster with the same green horns appears. The theme here is the hoary one of unconditional love, as the unseen first-person narrator proclaims that love will be bestowed even if the monster in question gets angry, jumps in mud puddles, or causes bathtub floods. Magsamen’s signature look of faux stitch-work and brightly colored lettering is at play in both the images and on key words in the text. Hearts are sprinkled throughout the sunny art.
Sentimental and derivative. (Board book. 1-3)Pub Date: April 7, 2020
ISBN: 978-1-338-62917-0
Page Count: 12
Publisher: Cartwheel/Scholastic
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
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