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FOR F*CK'S SAKE

WHY SWEARING IS SHOCKING, RUDE, AND FUN

With dry wit and a storyteller’s eye, Roache romps through the history and social meaning of colorful language.

A senior academic offers a tongue-in-cheek examination of why, how, and when we swear.

One might expect that an author who teaches philosophy at the University of London would be on the stuffy side, but Roache, host of the Academic Perfectionist podcast, is anything but dull. Her book is a lively examination of swearing in all its forms, and although it is often humorous, Roache also has serious points to make. Swearing is sometimes meant to be offensive, but much depends on the context. It can signal solidarity within a group or class, be used to emphasize a point and denote surprise, and have a cathartic quality that prevents disputes from escalating to violence. Brain scans suggest that swearing is intuitive and automatic rather than logical, an idea that fits its emotional basis. A surprising number of researchers have looked into this field, and Roache draws together their findings. She is mainly interested in swearing in the English language, and she traces the history of the key words and underlying concepts. There have been numerous attempts to censor swearing, but they have seldom worked, and there are terms that can be more offensive than a swear word, including racial slurs. The author disdains the use of asterisks when swear words are written since everyone will know what the word is anyway. Swearing was once seen as a lower-class phenomenon, but in recent decades, it has crossed socioeconomic and gender boundaries, to the point that it might have lost its power to shock and sting. Despite this, there are still some prohibitions. Swearing in front of children and from public figures is widely considered unacceptable. Those who are easily offended might want to avoid the book, but the rest of us will find it to be an informative, entertaining read.

With dry wit and a storyteller’s eye, Roache romps through the history and social meaning of colorful language.

Pub Date: Nov. 1, 2023

ISBN: 9780190665067

Page Count: 264

Publisher: Oxford Univ.

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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