A promising talent in service of an admirable goal resulting in a disappointingly didactic novel.
The lives of a diverse cast of characters intertwine against the backdrop of violence and bitter conflict in Israel and Palestine.
Jerusalem, the “city of a thousand gates,” is also a city of a thousand experiences of occupation; in Sacks’ debut, she has seemingly set herself the ambitious goal of representing as many of these experiences as possible. As they reel from twinned acts of violence—a 14-year-old Israeli girl in a settlement stabbed to death, a 14-year-old Palestinian boy beaten into a coma—various inhabitants and visitors in this contested region go about their daily lives, dealing with the usual complexities of friendship, desire, and marriage on top of the sensationalized politics that envelop them. The novel shifts among the perspectives of more than a dozen characters: Arab Palestinians living in Israel proper and in the occupied territories, Israeli Jews of various political orientations, American Jews with complicated and divergent relationships to Zionism, a German journalist trying to make her name by writing about it all. Sacks’ prose is evocative and often a pleasure to read, but her narrative sacrifices depth for the sake of breadth. Her dogged attempt to show the multifacetedness of this extraordinarily fraught conflict and humanize its players is admirable in theory but sometimes ineffective in execution. In her attempt to humanize the media circus that so often attends news coverage of Israel and Palestine, she actually ends up flattening it, as each character’s narrative feels increasingly like a counterpoint to another equally subjective narrative, a mere means to a didactic end. While some characters, such as Emily and Vera, are rich and complex, others veer into caricature, reading like boxes the author felt obligated to check rather than authentic, artful creations. With its tit-for-tat violence and carefully varied cast of characters, the novel projects an oversimple thesis that Israelis and Palestinians (as well as those with other stakes in the conflict) are both victims and perpetrators, both participants and observers in cycles of hatred and violence. The extension of that thesis is the treacly trope that if these parties could simply understand one another better, the conflict would be solved. To her credit, Sacks attempts to preempt some of the critiques commonly leveled at such narratives—for instance, she makes clear the imbalance of power in a fight between occupier and occupied—but even the inclusion of these important nuances feels inevitably formulaic. Sacks is a gifted prose stylist, but the stunning loveliness of large portions of her debut is unfortunately obscured by its formulaic both-sides-ism.
A promising talent in service of an admirable goal resulting in a disappointingly didactic novel.Pub Date: Feb. 2, 2021
ISBN: 978-0-06301-147-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2021
Kirkus Reviews Issue: March 1, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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