by Rebecca Whitehead Munn ‧ RELEASE DATE: July 18, 2017
A remembrance that effectively captures the profound love between a mother and daughter.
Munn’s debut memoir tells of her own journey of self-discovery after learning of a parent’s terminal illness.
In 2003, the author was in the middle of a divorce when she suffered another severe blow—her mother was diagnosed with cancer. Rather than give in to grief, she embarked on what she calls a “heart-opening journey”—one that she deftly and intensely recounts in this memoir. The book might have benefited from providing a little more background, as Munn barely touches upon her childhood and the causes of her marital collapse before plunging into her mother’s chilling diagnosis: “I let out a gut-wrenching cry, as I thought, No, God, I am really not ready for this,” she recalls. Soon, however, she expresses gratitude for being able to “start giving more to Mom from my heart.” Throughout this book, the author skillfully describes the nuances of her visits with her mother as well as the deepening of their relationship. At one point, for example, her mother shocked her by saying “I am cured!” She was only in temporary remission, but the author shares her insight that it was more important to be supportive than judgmental: “I chose to focus on the moment and celebrate Mom where she was.” They also chose a purple butterfly as their “symbol of connection that would last forever, across different realms.” Munn’s invocations of a higher power may not appeal to some secular readers, but others will find genuine drama in her account of a deathbed visit, during which the author says that she heard her mother’s soul say, “I wonder if I am worthy of receiving God.” In the end, Munn analogizes her journey to that of a caterpillar transitioning to a butterfly: having “let go of all the layers of my cocoon and set them free, I ... now live an authentic life with my heart wide open.”
A remembrance that effectively captures the profound love between a mother and daughter.Pub Date: July 18, 2017
ISBN: 978-1-63152-230-7
Page Count: 280
Publisher: She Writes Press
Review Posted Online: April 25, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Amos Oz & translated by Nicholas de Lange ‧ RELEASE DATE: Nov. 15, 2004
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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by Amos Oz ; translated by Jessica Cohen & by Shira Hadad
BOOK REVIEW
by Amos Oz ; translated by Jessica Cohen
BOOK REVIEW
by Amos Oz ; translated by Nicholas de Lange
by Susanna Kaysen ‧ RELEASE DATE: June 1, 1993
When Kaysen was 18, in 1967, she was admitted to McLean Psychiatric Hospital outside Boston, where she would spend the next 18 months. Now, 25 years and two novels (Far Afield, 1990; Asa, As I Knew Him, 1987) later, she has come to terms with the experience- -as detailed in this searing account. First there was the suicide attempt, a halfhearted one because Kaysen made a phone call before popping the 50 aspirin, leaving enough time to pump out her stomach. The next year it was McLean, which she entered after one session with a bullying doctor, a total stranger. Still, she signed herself in: ``Reality was getting too dense...all my integrity seemed to lie in saying No.'' In the series of snapshots that follows, Kaysen writes as lucidly about the dark jumble inside her head as she does about the hospital routines, the staff, the patients. Her stay didn't coincide with those of various celebrities (Ray Charles, Sylvia Plath, Robert Lowell), but we are not likely to forget Susan, ``thin and yellow,'' who wrapped everything in sight in toilet paper, or Daisy, whose passions were laxatives and chicken. The staff is equally memorable: ``Our keepers. As for finders—well, we had to be our own finders.'' There was no way the therapists—those dispensers of dope (Thorazine, Stelazine, Mellaril, Librium, Valium)—might improve the patients' conditions: Recovery was in the lap of the gods (``I got better and Daisy didn't and I can't explain why''). When, all these years later, Kaysen reads her diagnosis (``Borderline Personality''), it means nothing when set alongside her descriptions of the ``parallel universe'' of the insane. It's an easy universe to enter, she assures us. We believe her. Every word counts in this brave, funny, moving reconstruction. For Kaysen, writing well has been the best revenge.
Pub Date: June 1, 1993
ISBN: 0-679-42366-4
Page Count: 176
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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