With melancholy imagination, Bergman elegantly tackles nothing less than the entire arc of human history.
A treatment that pauses aging and pain affects an entire city in unforeseen ways in this debut novel.
Maeve Wilhelm is asleep. She’s been asleep for 25 years, since she nearly drowned in a community swimming pool at the age of 8. But Maeve’s sleep is not a coma: She’s breathing on her own and, more importantly, not visibly aging. Hers isn’t the first family tragedy: Maeve’s mother, Naomi, a senior researcher at a biotech company, also drowned under strange circumstances. Naomi’s body was found with a mysterious red rock in her pocket, apparently related to the red algae bloom that appeared off a private beach where her company was conducting top-secret research. This rock, this algae—what does it have to do with Naomi’s death or Maeve’s sleep, which occurred not long after she ingested some of the algae at the closed beach on a dare? How does it connect to Naomi’s biotech work on a procedure designed to pause outward signs of aging as well as numb pain? And what of the Museum of Human History, a local attraction built around caves in which ancient humans—and a single doll, “in a sleeping posture…covered in beautiful red stones”—had once been discovered? Bergman’s novel, structured like a series of concentric circles, ripples out to include a number of characters affected by the anti-aging treatment in some way: a young widower, a performance artist, a museum director, and Maeve’s own identical twin. Each narrative ring reveals unexpected connections among them, images and bits of language that recur, ideas and themes—memory, death, the slippage between the past and the future—that deepen as the novel blends fairy tale, philosophy, and shades of literary-futurist classics like Never Let Me Go.
With melancholy imagination, Bergman elegantly tackles nothing less than the entire arc of human history.Pub Date: Aug. 1, 2023
ISBN: 9781953534910
Page Count: 300
Publisher: Tin House
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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