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HURT MACHINE

Though once or twice he crosses that tricky line between Weltschmerz and cry-baby, Moe Prager remains basically irresistible.

In his seventh appearance (Innocent Monster, 2010, etc.), Moe Prager copes with an old love, a complex murder and a belly-full of trouble.

On the opening page of the novel, Moe exits his oncologist’s office thinking about death in a way he never has before. Less abstractly, that is. A newly identified stomach tumor, in all probability malignant, has a way of concentrating attention. Not that Moe was ever a man to approach life blithely. “ ‘Hurt, pain…they’re God’s way of letting you know he loves you,’ ” says a friend, an Auschwitz survivor, encapsulating a worldview Moe long ago tailored to fit himself. And yet right now there are good things in Moe’s life. There’s the pre-wedding party he’s throwing for his cherished daughter Sarah, for instance, at which the estranged love of his life makes an unexpected appearance. Well, Carmella Melendez’s appearance may in truth be a rather dubious “good,” but there’s no question about her blood-stirring impact. Ex-partner in the PI firm they started together, ex-lover, ex-wife, who left him desolate when she walked out on their marriage, Carmella now has a job she begs Moe to do. Won’t he please look into the murder of her older sister? It was a story the media had recently feasted on, a homicide that many saw compelling reasons for believing was justified. Moe squirms a bit, but this is Carm after all, and he signs on. As his investigation deepens, however, he discovers connections that surprise and shock him, links to dehumanized people and sociopathic behavior that one would be hard put not to label pure evil. More and more, he finds himself double-thinking his cancer: its pathology, yes, but as a metaphor, too. In both cases, the effect is heart-sinking.

Though once or twice he crosses that tricky line between Weltschmerz and cry-baby, Moe Prager remains basically irresistible.

Pub Date: Dec. 1, 2011

ISBN: 978-1-4405-3202-3

Page Count: 320

Publisher: Tyrus Books

Review Posted Online: Nov. 22, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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