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ETCHED IN SAND

A TRUE STORY OF FIVE SIBLINGS WHO SURVIVED AN UNSPEAKABLE CHILDHOOD ON LONG ISLAND

Riveting reading from start to finish.

A prominent New York attorney’s unsparing account of how she and her four siblings survived extreme abuse and neglect at the hands of their mentally ill mother.

Cookie was a woman who “left behind scorched earth” wherever she went. Unstable, promiscuous and violently abusive, she had five children by five different men. Chaos and instability reigned throughout Calcaterra’s childhood. Early on, Cookie left the children with relatives or took them to live with new boyfriends. But as her alcoholism and mental illness worsened, she left them in homeless shelters, trailers, parking lots, run-down apartments or houses and then vanished, often for weeks or months at a time. When Calcaterra was 8, she and her siblings made a pact to stay together, no matter what; it was better than being separated and losing all control over their lives in the impersonal, sometimes-frightening world of foster care. To survive, they stole food and clothes. They lied about their mother’s whereabouts, as well as the burns, bruises and scratches that appeared on their bodies when she was home. Calcaterra emancipated herself at age 14 and reluctantly went to live with foster parents she did not want; they nonetheless helped her succeed. Seeking a way to empower herself so that she could “impact the lives of others,” she attended college and law school, then pursued a career as a New York state public official. Despite her many professional triumphs, she hasn't overcome her guilt about the fate of her siblings. Calcaterra narrates her story in the present tense, which adds a painful immediacy and urgency to an already gut-wrenching account. Yet never once does she flinch from the terrible truths with which she has lived and so courageously reveals here.

Riveting reading from start to finish.

Pub Date: Aug. 6, 2013

ISBN: 978-0-06-221883-4

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: June 7, 2013

Kirkus Reviews Issue: June 15, 2013

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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