A fun and scary slasher thriller.
A Fourth of July celebration turns deadly for a group of teens in Ross’ YA psychological thriller.
Eighteen-year-old Riley March and four girlfriends—Cam, Val, Nia, and Blake— are off on a celebratory Independence Day weekend away, their last before they all leave for college in the fall. Their destination is the exclusive and remote Palm Key Island, the perfect location for wealthy kids to spend their leisure time. Some of their other friends from school are there, too, including Riley’s crush, Sebastian. Riley needs to make sure no one finds out her biggest secret: She really doesn’t belong in this group, as she is not rich like her friends. Their weekend of sun, booze, and partying starts to go wrong when Val disappears after a night out clubbing—she’s presumably off with a boy—and warnings of an approaching hurricane sour the mood. As the group (joined by some male friends) hunkers down, trapped inside their rental with no internet or electricity while waiting for the storm to pass, tensions build and relationships start to unravel. They learn why their summer house rental is so cheap as casualties begin mount. The author’s compelling, fast-paced thriller pays homage to slasher movies and serial killer lore with a fun hook: “Things no longer seem fun and light anymore as I remember we’re about to be trapped in a hurricane—and in a murder house, no less. The only thing worse than that is being trapped in a hurricane, in a murder house, in complete darkness.” As the scares spiral, Ross maintains a tight focus on the complex, complicated relationship dynamics within the group of teen girls, all conveyed from Riley’s outsider/insider’s perspective. Still reeling from a close friend’s death by suicide the year before, the group’s secrets start to spill out, unveiling a history of bullying, competition, and privilege in a well-balanced narrative arc.
A fun and scary slasher thriller.Pub Date: June 13, 2023
ISBN: 978-0988256828
Page Count: 266
Publisher: Ic13 Books
Review Posted Online: June 1, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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