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THE SISTERS OF THE WINTER WOOD

Ambitious and surprising.

In a mix of historical fiction and fantasy, Rossner's debut weaves a richly detailed story of Jewish identity and sisterhood.

Sisters Laya and Liba are different as night and day. In their family’s cottage, nestled in the Kodari forest surrounding the town of Dubossary, they adhere in different degrees to their family’s Orthodox Judaism. Dark-haired Liba—ungainly and dogged by a persistent hunger for meat—revels in Jewish study with her father, while Laya, who possesses the preternatural ability to communicate with the Kodari forest itself, is a free spirit animated by wanderlust, eager to break with the strictures of their insular community. Though held at arm’s length by the local Jews because their mother is a convert, the sisters live a relatively peaceful life till an unexpected visit from their father’s brother Yankl brings news of their grandfather’s illness in a nearby town. Yankl implores their father to return, and before their parents embark on the journey, Liba witnesses them transform into animals—her father into a bear, her mother into a swan—forcing them to expose a long-hidden truth. Each girl is descended from a lineage able to morph, at will, into an animal counterpart: Liba into a bear like her father, Laya into a swan like her mother. Just as the girls begin to come to grips with this new reality, their parents leave and a sense of foreboding infects Dubossary. Jews are blamed for the deaths of two gentiles whose bodies were found at the edge of an orchard; a mysterious band of brothers peddling fruit occupies the town market; and families disappear. As the sisters grapple with the frightening implications of their identities, they must harness them to shield the town from forces that threaten to tear it apart. Told in alternating sections from the two sisters' perspectives that switch between prose (for Liba) and occasionally melodramatic poetry (for Laya), this is an atmospheric yarn that sets elements of Jewish, Greek, and European folklore against a pogrom-era Eastern European backdrop. Rossner’s story is inspired by her own family's history; each of her great-grandparents fled anti-Semitic violence in Europe, and her story is emotionally charged, full of sharp historical detail and well-deployed Yiddish phrases. Though the narrative is dragged down by stilted dialogue and a clichéd romance for Liba, the sensitive depiction of the sisters' bond and surprising mythological elements will keep readers’ interest piqued.

Ambitious and surprising.

Pub Date: Sept. 25, 2018

ISBN: 978-0-316-48325-4

Page Count: 448

Publisher: Redhook/Orbit

Review Posted Online: July 1, 2018

Kirkus Reviews Issue: July 15, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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