Next book

HARLEM'S LITTLE BLACKBIRD

Her brief life is well worth celebrating, and here it is done well.

Watson’s biographical distillation of the life of jazz singer and dancer Florence Mills is endearing and affectionate, at just the right level for very young readers.

The child who “lived in a teeny-tiny, itsy-bitsy house” won singing and cakewalking contests all over Washington, D.C., and became famous dancing with her sisters. When Florence was a young teen, the girls performed in Harlem’s Lincoln Theatre in New York, and from there, Florence landed roles in Shuffle Along and From Dover Street to Dixie, introducing jazz to white audiences and mesmerizing crowds. Robinson’s big-eyed portrayal of Florence and her work is terrific: jazzy, geometric and lively. The city scenes, stage moments and glimpses of Florence on- and offstage are sweetly retro; 20 blackbirds on stylized, blooming branches on both front and back endpapers add charm to the work overall. Mills’ generous personality comes through clearly, and Watson aptly uses lyrics from Mills’ songs to help emphasize the story. Watson describes Florence’s decision to turn down a part in the Ziegfield Follies for chances to perform with other black actors and singers and to continue to “use her voice for more than entertainment”—to sing for equal rights. Young readers and listeners will feel the thrill of her success here and in London and the sadness of Florence’s death at age 31.

Her brief life is well worth celebrating, and here it is done well. (Picture book/biography. 3-8)

Pub Date: Oct. 23, 2012

ISBN: 978-0-375-86973-0

Page Count: 40

Publisher: Random House

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

Next book

MY GRANDMA AND GRANDPA ROCK!

A fresh, melodic take on family harmony.

Rock legends, husband-and-wife team, and proud grandparents Benatar and Giraldo present an upbeat ode to families.

A youngster with long blond hair confides conspiratorially, “This might come as a bit of a shock, // but my grandma and grandpa…ROCK!” The silver-haired duo—who resemble the co-authors—jam out in a practice space; Grandpa strums an electric guitar, while Grandma belts out a tune, microphone in hand. (All three are pale-skinned.) Jagged star strokes burst from the amps, reverberating across the page. As the young narrator sings the praises of these hip, artistically minded grandparents, the illustrations depict many varied, diverse families making music. One grandparent strums a ukulele, another prefers the drums, and an especially eclectic granny croons everything from lullabies to Led Zeppelin while cooking. There’s no wrong way to share joy with grandparents. Benatar and Giraldo acknowledge that you don’t have to be a musician to rock (“Anyone can rock! / It’s a state of mind, / like feeling happy or being kind”) as they speak to other passions and occupations (“They can be a plumber, a chef, a pilot, a teacher”). One spread showcases other names for grandparents, both colloquial and cultural, presented without disrupting the text’s rhythm. As expected, this pair lays down a steady beat with a smooth flow. Everett’s energetic art, with musical swooshes and swirls, buoys the text.

A fresh, melodic take on family harmony. (Picture book. 3-6)

Pub Date: Sept. 9, 2025

ISBN: 9781728298023

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

Next book

THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Close Quickview