An elegiac view of colonial and racial injustice.
In 1927, when “illicit carnal intercourse between Europeans and natives” in South Africa is prohibited by the Immorality Act, the van Zijl family's fate turns tragic.
South African writer Manenzhe’s debut looks back to an especially cruel moment in history when sexual relations between Blacks and Whites were pronounced unlawful, threatening prison for the adults involved. Such is the situation for Abram van Zijl, who's White, and his “black and English” wife, Alisa, who are parents to two daughters, Dido and Emilia. One horrific decision by Alisa shatters the family early in the book, and it's her psychology, history, and choices that dominate the story and set the tone. Born the daughter of a slave in Jamaica, orphaned when young, she was adopted by a kindly White man who brought her to England. Alienated and haunted by her birth father and the stories he told her before he died, Alisa has always felt herself unloved, unrooted, condemned to a “legacy of wandering and melancholy.” She travels tirelessly, eventually heading to Africa, sensing she might trace her origins there, but onboard ship she meets Abram, of Dutch and English heritage, and instead discovers a love that will bring her a home and family. Over time, however, the relationship fades, and Alisa’s unsatisfied need for connection returns, but now the external world is poised to intervene. Manenzhe’s poetic narrative, sometimes dreamy, piercing, and lyrical, at other times denser, is threaded with heartache and suffering as well as ancestral myth and symbolism. There are loose ends—questions about Alisa that are not fully answered by long extracts from her journals included in the text. The result is a choppy story of long-endured, compounded oppression. Its closing chapters allow a suggestion of peace, but not for all.
An elegiac view of colonial and racial injustice.Pub Date: Dec. 13, 2022
ISBN: 978-0-063-26411-3
Page Count: 288
Publisher: HarperVia
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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