A captivating literary blend of science and fantasy.
In Vincent’s novel, a geophysicist travels to a remote area of Vancouver Island that’s reputed to possess magical properties—and maybe a mysterious sea monster.
Travis Sivart is a tactical navigator and crew commander on the CP-140 Aurora, a maritime aircraft that tracks down submarines and conducts rescue missions; he’s also a trained geophysicist, but he’s deeply moved by the allure of the rationally inexplicable. He happens upon a newspaper called The The Segway News (with two Thes); apparently, copies are published weekly and scattered about the region, attached to red balloons. They detail the events of a little-known hinterland on Vancouver Island called The Segway, named after its most notable geographic feature: an underground conduit to the Pacific Ocean, likely created by a seismic event. His curiosity piqued, Travis investigates and learns that the area is reputed to be the home of a massive sea monster, so he sets out to find The Segway for himself. When he does, he’s greeted by Jub Tollerson, a man in a tuxedo who says he expected Travis’ arrival and offers a tour. Despite the forbidding terrain, Travis sees beautifully constructed buildings, stores, and a surfeit of provisions. He also finds delightfully eccentric residents, whom Vincent portrays with great artistry and humor. Clay Potter, for example, has lived in a nest for 40 years, and Flan Dwyer is writing a novel that’s already 25,000 pages long. The author deftly chronicles Travis’ exploration of The Segway—he aims to interview all 30 of its denizens—as well as his hunt for “Seggie,” the sea monster. The form of the novel is basically an empirical record of Travis’ research, and it provocatively highlights the limits of reason as Vincent intelligently ponders the real and surreal aspects of the strange town. At one point, the mayor of The Segway, known as Dr. Joy, tries to explain to Travis that “People do what they do, and sometimes there’s no explanation.” Readers will find themselves as engaged as the protagonist, and they’ll share his bewilderment with a sense of excitement and wonder.
A captivating literary blend of science and fantasy.Pub Date: July 28, 2023
ISBN: 9781039171503
Page Count: 283
Publisher: FriesenPress
Review Posted Online: July 7, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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