Perfectly paced and bursting with laughs, the tale will appeal to fans of humor and reluctant readers alike, who will...
Chewing gum imbues a girl with gooey superpowers in this laugh-out-loud early chapter book.
Gabby Gomez loves chewing gum, anyplace, anytime—even in her sleep. So when she wakes up with gum stuck in her hair, her mother decides she’s had enough and outlaws the sticky substance. Poor Gabby doesn’t mean to disobey her mother, but when she discovers a piece of MIGHTY-MEGA ULTRA-STRETCHY SUPER-DUPER EXTENDA-BUBBLE BUBBLE GUM, she can’t resist. The special gum results in the biggest bubble ever, and when it pops, the outcome is not just a gum-covered girl, but one with sudden, gummy superpowers. Gabby’s new powers enable her to help people in need, but the price of hiding them from her mom is hard to bear. Using a successful blend of traditional prose, dialogue bubbles and bold-lined, black-and-white illustrations, Montijo delivers laughs all the way through, ensuring that the “moral” never hampers the fun. The one place Montijo stumbles is in the disappointing portrayal of class bully Natalie Gooch, a stereotypically large, boyish-looking girl; there are plenty of small “girly-girls” who are horrible bullies—let’s see more of those.
Perfectly paced and bursting with laughs, the tale will appeal to fans of humor and reluctant readers alike, who will identify with Gabby’s sticky situation. (Fiction/graphic hybrid. 6-9)Pub Date: Aug. 20, 2013
ISBN: 978-1-4231-5740-3
Page Count: 128
Publisher: Disney-Hyperion
Review Posted Online: April 2, 2013
Kirkus Reviews Issue: May 1, 2013
Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones.
In the second installment of the Binder of Doom series, readers will reconnect with Alexander Bopp, who leads the Super Secret Monster Patrol, a group of mutant children who protect the citizens of their beloved town of Stermont.
His friends Nikki and Rip rejoin him to add new monsters and adventures to their ever growing binder of monsters. As in series opener Brute-Cake (2019), Alexander and his friends attend the local library’s summer program, this time for “maker-camp.” They are assigned a Maker Challenge, in which each camper is to “make a machine that performs a helpful task”; meanwhile, mechanical equipment is being stolen all over Stermont. Unfortunately, the pacing and focus of the book hop all over the place. The titular boa constructor (a two-headed maker-minded snake and the culprit behind the thefts) is but one of many monsters introduced here, appearing more than two-thirds of the way through the story—just after the Machine Share-Time concludes the maker-camp plotline. (Rip’s “most dangerous” invention does come in handy at the climax.) The grayscale illustrations add visuals that will keep early readers engaged despite the erratic storyline; they depict Alexander with dark skin and puffy hair and Nikki and Rip with light skin. Monster trading cards are interleaved with the story.
Returning fans will be happy to see their friends, but this outing's unlikely to win them new ones. (Paranormal adventure. 6-8)Pub Date: Sept. 3, 2019
ISBN: 978-1-338-31469-4
Page Count: 96
Publisher: Scholastic
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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