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THE MANIC PANIC

Unmistakably message-driven (“YOU know what’s good for them”) yet silly and light.

In this unexpected take on screen addiction, an Indian import, an unnamed girl convinces her parents that they, too, can have fun away from their pods and pads.

On “most days,” Daddy can be found referring to recipes on his wireless device, and Mommy, on the couch, snacking and tapping on her laptop. But, when the Wi-Fi goes down, Mommy “howls” and Daddy “bellows.” They “whine” and “whimper.” “Mommy! Daddy! BEHAVE! It is NOT the end of the world,” says the ingenious protagonist, and she takes her parents out into the “big wide world out there”: They climb trees, play soccer, and buy hot chai from the street vendor. While the parents display a reluctance stereotypical to screen-focused children, the young protagonist mirrors parental responses, with “knit…brows” and firmness. Young readers will likely get the joke. When the family returns home, the Wi-Fi is still down, but now they “have other things to think about. Like the clouds and the breeze and the trees.” The identity of the second-person narrator is revealed at the end, which is yet another humorous turnabout. Ananth’s muted, posterlike illustrations are not India-specific (save, perhaps, for the tea stall), and they feature a multigenerational, middle-class brown family that might be found anywhere in the diaspora.

Unmistakably message-driven (“YOU know what’s good for them”) yet silly and light. (Picture book. 4-7)

Pub Date: May 1, 2018

ISBN: 978-1-939547-43-9

Page Count: 32

Publisher: Creston

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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ROSIE REVERE, ENGINEER

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the...

Rhymed couplets convey the story of a girl who likes to build things but is shy about it. Neither the poetry nor Rosie’s projects always work well.

Rosie picks up trash and oddments where she finds them, stashing them in her attic room to work on at night. Once, she made a hat for her favorite zookeeper uncle to keep pythons away, and he laughed so hard that she never made anything publicly again. But when her great-great-aunt Rose comes to visit and reminds Rosie of her own past building airplanes, she expresses her regret that she still has not had the chance to fly. Great-great-aunt Rose is visibly modeled on Rosie the Riveter, the iconic, red-bandanna–wearing poster woman from World War II. Rosie decides to build a flying machine and does so (it’s a heli-o-cheese-copter), but it fails. She’s just about to swear off making stuff forever when Aunt Rose congratulates her on her failure; now she can go on to try again. Rosie wears her hair swooped over one eye (just like great-great-aunt Rose), and other figures have exaggerated hairdos, tiny feet and elongated or greatly rounded bodies. The detritus of Rosie’s collections is fascinating, from broken dolls and stuffed animals to nails, tools, pencils, old lamps and possibly an erector set. And cheddar-cheese spray.

Earnest and silly by turns, it doesn’t quite capture the attention or the imagination, although surely its heart is in the right place. (historical note) (Picture book. 5-7)

Pub Date: Sept. 3, 2013

ISBN: 978-1-4197-0845-9

Page Count: 32

Publisher: Abrams

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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MAXINE AND THE GREATEST GARDEN EVER

Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions.

Two friends strengthen their bond when their gardening project needs more ingenuity than originally anticipated.

Maxine, a science-oriented little White girl with a pet goldfish, loves to read and make constructive gadgets. Her friend Leo, a little Black boy, also likes making things, though from an artistic perspective. Together they decide to carefully design a garden. Maxine creates a practical blueprint while Leo draws a colorful diagram. Both plans allow them to plot, dig, and plant a beautiful and expansive space that includes a pond for Milton, Maxine’s pet fish. After their produce begins to sprout, however, some unwanted visitors slink in to ravage the fruits of all their hard work. Oh, no—now they need a new idea to keep those critters away. An average scarecrow doesn’t do the trick, so the kids get to work and build a “critter-creeping, laser-tripping, disco-ball-blinking, tuba-tooting… / SUPER SPECTACULAR SCARECROW!” But it only makes things worse by loudly disturbing everyone but their animal invaders. Initial disappointment and failure lead to blame and argument and then remorse and apologies. Both Maxine and Leo realize that “it takes a long time to grow a garden…but even longer to grow a friend.” Hatam offers kids lots of minutiae to look at, including clever endpapers with comical one-liners (“Thyme to Turnip the Beet”). Her detailed, animated, vibrant drawings accentuate the drama and neatly depict the concluding message that celebrates compromise. (This book was reviewed digitally with 9-by-17-inch double-page spreads viewed at 62.7% of actual size.)

Kids will enjoy the quirky visuals while appreciating the creative relationship of these two companions. (Picture book. 5-7)

Pub Date: Feb. 16, 2021

ISBN: 978-0-399-18630-1

Page Count: 40

Publisher: Dial Books

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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