by Richard Adams ; illustrated by Alex T. Smith ‧ RELEASE DATE: March 19, 2019
Flashy but flat.
Little Emma’s cardboard creation conquers the world!
Egg Box Dragon’s eyes are made of “shiny bicycle reflectors,” and most of the rest of him is fashioned from cut-up pieces of an egg carton, painted green. When Emma brings him home, perched atop a pillow in her little red wagon, “everyone admired him enormously.” The local gardener declares, “that critter’s got magic”—a prophetic statement, as the next morning he develops a reputation as the supreme finder of lost articles. These include Emma’s dad’s glasses, next-door-neighbor Mrs. Hapgood’s tortoise, and little Tom’s missing soccer ball (called a “football” in this British import). Aided by the TV news, the Egg Box Dragon’s reputation spreads all the way to the queen. When she loses the biggest diamond in her crown, she sends a royal car to Emma’s house to ask for Egg Box Dragon’s help. He succeeds handily, receiving a medal and a whole chocolate cake. Smith’s illustrations are delightful, with an appealing abundance of white space, and a whole lot of fun with the diminutive draconic protagonist. Perhaps most delicious of all is his untraditional casting of palace personnel, from a queen of color through her evidently mostly female staff, including butler and soldiers. (Emma and her family present white.) But the story, a posthumous offering from the author of Watership Down, feels haphazard, all the way down to Emma’s nonrelationship with her creation.
Flashy but flat. (Picture book. 4-6)Pub Date: March 19, 2019
ISBN: 978-1-4449-3840-1
Page Count: 32
Publisher: Hachette UK
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by Amanda Driscoll ; illustrated by Amanda Driscoll ‧ RELEASE DATE: June 9, 2015
Like the last sip of a chocolate milkshake, it’s very satisfying.
A story-reading dragon—what’s not to like?
Duncan the Dragon loves to read. But the stories so excite him, his imagination catches fire—and so do his books, leaving him wondering about the endings. Does the captain save the ship? Do aliens conquer the Earth? Desperate to reach the all-important words “The End” (“like the last sip of a chocolate milk shake”), he tries reading in the refrigerator, in front of a bank of electric fans, and even in a bathtub filled with ice. Nothing works. He decides to ask a friend to read to him, but the raccoon, possum, and bull all refuse. Weeping, Duncan is ready to give up, but one of his draconic tears runs “split-splat into a mouse,” a book-loving mouse! Together they battle sea monsters, dodge icebergs, and discover new lands, giving rise to a fast friendship. Driscoll’s friendly illustrations are pencil sketches painted in Adobe Photoshop; she varies full-bleed paintings with vignettes surrounded by white space, imaginary scenes rendered in monochrome to set them apart. Duncan himself is green, winged, and scaly, but his snout is unthreateningly bovine, and he wears red sneakers with his shoelaces untied—a nicely vulnerable touch. Though there are lots of unusual friendship stories in picture books, the vivid colors, expressive faces, and comic details make this one likely to be a storytime hit.
Like the last sip of a chocolate milkshake, it’s very satisfying. (Picture book. 4-6)Pub Date: June 9, 2015
ISBN: 978-0-385-75507-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Amanda Driscoll ; illustrated by Luisa Uribe
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: July 9, 2024
Fairy fodder, nothing more.
A brand-new fairy godmother tests her skills on a group of children determined to catch her.
The latest installment in the popular How To Catch series follows the protagonist as she leaves Fairy Godmother Land as a recent grad who’s nervous about her first job (“I should know how to do this, / but all I feel is stress. / Chosen for these children, / I don’t want to be a hot mess”). As she observes the children she’s been tasked with helping, they spot her and decide to catch her for show and tell. Though they set several traps, including a “selfie with a unicorn” station, she evades capture, leaving behind a snapshot as a gift. Readers never see the fairy godmother’s face until the final page reveals her photo—an effective way to keep kids wondering. While the moral of the story—trying new things is scary but worth it—is an important one, the plot is a bit thin. Sure, the fairy godmother “helps” the children by leaving them with a photo of her, but that feels almost like a happy accident; readers never find out why she was “chosen” for these children. Fans of the series who adore all things magical will enjoy this title, but those seeking an engaging tale should look elsewhere. The fairy godmother presents Black, while the children are racially diverse.
Fairy fodder, nothing more. (Picture book. 4-6)Pub Date: July 9, 2024
ISBN: 9781728293004
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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