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THE WORLD FROM THE EIGHTH GRADE

An immersive collection of student writing and a fascinating recollection by an experienced teacher.

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Aston, a social studies teacher, shares essays written by his eighth-grade students, who were encouraged to express themselves freely in writing.

In 1969, the author was offered an opportunity to refashion the social studies curriculum for eighth-graders at the Martin Luther King School in Sausalito, California. Apparently impressed by his recommendations (and hamstrung by a slew of resignations), the school offered him a job teaching, and he accepted it. MLK was one of the first schools in the nation to desegregate racially, and as a result it welcomed a diverse mix of students: not only in terms of race, but also socioeconomic status and academic achievement. In each class, there were a few students who were all but illiterate and some who were impressively precocious. The classroom environment was astonishingly chaotic, and Aston struggled to command his students’ attention. Despite his attempts to woo them with exciting material, they were chronically disinterested. Finally, the embattled teacher decided to refocus his pedagogical energies on writing and gave the students complete freedom to express themselves, a liberty that finally seemed to engage them emotionally. “When the students at Martin Luther King realized that their writing would not be graded, or criticized, and would remain anonymous, they began to express their inner thoughts, needs, and aspirations, which, I believe, helped their emotional growth,” the author writes. The bulk of Aston’s enchanting remembrance is made up of reproductions of many of these essays, which provide a bracingly unique look into the minds of adolescents during a tumultuous time in American history.

The students reflected on an expansive range of serious subjects like race and war, but they also articulated their feelings on virtually every aspect of their lives, including their frustrations with school and, in particular, Aston’s teaching. As one student put it: “He has allowed us extreme freedom this year, perhaps too much freedom. I’m afraid I’ve learned only a pinch of Social Studies and I’m sure in the whole year I could have learned more.” Aston’s commentary on his 20 years as a teacher is refreshingly forthcoming and edifying—he often taught the most challenged students, those labeled “Emotionally Disabled”; these were children raised in households that were, “to put it mildly, not conducive to learning.” He writes both astutely and movingly about the scourge of illiteracy in the United States, an embarrassment for such an affluent nation. But the true draw of this remarkable work is the writing of his students, which ranges from the surprisingly insightful to the charmingly absurd. In either case, the reader is treated to an unalloyed glimpse into the students’ psyches, which often, as the author observes, contrast a remarkable optimism with a forlorn negativity: “My name is Xathier X. Zeus. I don’t know what I want to do. Maybe a dope peddler or a secret agent or a billionaire. I might settle for a multi-millionaire.” This is an absorbing memoir, one that offers a singular historical perspective.

An immersive collection of student writing and a fascinating recollection by an experienced teacher.

Pub Date: N/A

ISBN: N/A

Page Count: 285

Publisher: N/A

Review Posted Online: Jan. 5, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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