Classic craftsmanship meets contemporary shell-shock.
A strong collection by a veteran master of the short story.
Though Bausch has become a prolific novelist, his story collections are more than publishing stopgaps between longer works. Particularly this one, filled with fiction that is richly imagined, deeply felt, and filled with the sort of context that distinguishes it from minimalism. The “fate” of the title seems to be the one that awaits us all, as death—or the risk or fear of it—permeates these stories. So does literature, and there are many writers featured here—including Ernest Hemingway, in the opening “In That Time”—along with lovers of fiction and creative artists in other fields. Yet art doesn’t really help Bausch’s characters come to terms with the inevitable, or with the unexpected, the sort of out-of-the-blue crises around which so many of these stories pivot. Covid-19, politics, and religion serve to complicate some of the plots, but mainly the tales seem to focus on “How did we get here?" and “Where do we go from here?” In “Isolation,” a woman is quarantined with the husband she still loves, separated from the lover with whom she’d never intended to become involved. In “Forensics,” a “murder scene involving hoarders in a decaying old house” shows a detective the depths of depression into which he’s sunk. In the novella-length “Broken House” that closes the volume, another house in disrepair presents a lasting memory and metaphor for the narrator, a retired history professor who once contemplated becoming a priest but has since found his faith shaken. “A Memory, and Sorrow (An Interval)” reads like a rare foray into autofiction, but every one of these stories serves to render lives fully experienced.
Classic craftsmanship meets contemporary shell-shock.Pub Date: May 20, 2025
ISBN: 9780593801451
Page Count: 352
Publisher: Knopf
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
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An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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